My strength is with actors. I think I'm good at working with them to get the best performances, at seeing what it is that they have and that the story needs.
Sydney PollackRead
You hope that the responsibility of making movies will fall into the hands of essentially moral people.
Interpretation
A wish for filmmakers to have strong moral values in their storytelling.
Sydney Pollack's quote reflects a hope for the film industry, emphasizing the importance of morality in filmmaking. He suggests that the narratives and messages conveyed through movies can significantly impact society, and thus, the responsibility of creating these stories should rest with those who possess ethical integrity.
In practice
During a film festival, discussing the importance of moral narratives in cinema.
My strength is with actors. I think I'm good at working with them to get the best performances, at seeing what it is that they have and that the story needs.
And I taught acting for years, and without knowing it that was the real thing that started bending me toward directing.
If you have a career like mine, which is so identified with Hollywood, with big studios and stars, you wonder if maybe you shouldn't go off and do what the world thinks of as more personal films with lesser-known people. But I think I've fooled everybody. I've made personal films all along. I just made them in another form.
It's my job to motivate the audience to believe. I have to get them to suspend their judgment in favor of involvement.
Making a movie is a network of decisions that keep multiplying as you go. You leave a trail of decisions behind you, and that's how you start to see the shape of what you've done. When you get far enough, you turn around and say, 'Ha, that's the movie.' It's only then that you find out if it's going to work or not.
I think a lot of creative people are uncomfortable with therapy. Because you're basically trying to 'solve' the unconscious. And the unconscious is where it all comes from.
You use a glass mirror to see your face; you use works of art to see your soul.
It has been the office of art to educate the perception of beauty. We are immersed in beauty but our eyes have no clear vision.
We younger Negro artists who create now intend to express our individual dark-skinned selves without fear or shame. If white people are pleased, we are glad. If they are not, it doesn't matter. We know we are beautiful. And ugly too. The tom-tom cries and the tom-tom laughs. If colored people are pleased, we are glad. If they are not, it doesn't matter either. We build our temples for tomorrow, strong as we know how, and we stand on top of the mountain, free within ourselves.
Every good composition is above all a work of abstraction. All good painters know this. But the painter cannot dispense with subjects altogether without his work suffering impoverishment.
Stories always have held conflicts and contrasts, highs and lows, life and death situations. And there can be much suffering in stories, but now we say the artist doesnβt have to suffer to show suffering. You just have to understand the human condition, understand the suffering.
I truly feel like my job is to make the shows. That's what I'm paid to do. It's somebody else's job to market them, and it's somebody else's job to pay attention to the ratings, because if I paid attention to all that, my head would explode.
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