My strength is with actors. I think I'm good at working with them to get the best performances, at seeing what it is that they have and that the story needs.
Sydney PollackRead
And I taught acting for years, and without knowing it that was the real thing that started bending me toward directing.
Interpretation
Teaching acting helped Sydney Pollack transition into directing.
In this quote, Sydney Pollack reflects on his journey from teaching acting to discovering his passion for directing. He implies that the educational experience and insights gained from teaching influenced his artistic vision, indicating that personal growth often arises from unexpected paths in one's career.
In practice
During a filmmaking workshop, to emphasize the importance of all experiences influencing an artist's work.
My strength is with actors. I think I'm good at working with them to get the best performances, at seeing what it is that they have and that the story needs.
If you have a career like mine, which is so identified with Hollywood, with big studios and stars, you wonder if maybe you shouldn't go off and do what the world thinks of as more personal films with lesser-known people. But I think I've fooled everybody. I've made personal films all along. I just made them in another form.
It's my job to motivate the audience to believe. I have to get them to suspend their judgment in favor of involvement.
You hope that the responsibility of making movies will fall into the hands of essentially moral people.
Making a movie is a network of decisions that keep multiplying as you go. You leave a trail of decisions behind you, and that's how you start to see the shape of what you've done. When you get far enough, you turn around and say, 'Ha, that's the movie.' It's only then that you find out if it's going to work or not.
I think a lot of creative people are uncomfortable with therapy. Because you're basically trying to 'solve' the unconscious. And the unconscious is where it all comes from.
The great hope is that people who wouldn't normally make films will be making them. Suddenly, one day some little fat girl in Ohio is going to be the new Mozart and make a beautiful film with her father's camera and for once the so called professionalism about movies will be destroyed forever - and it will really become an art form.
I am performing this role of the artist and this role of the 'negress' coming into a white-box institution. It's kind of a self-appointed role: the self-designated negress.
The work that lasts over time is the work which still speaks to us when all contemporary interest in that work is extinct.
All great art is the work of the whole living creature, body and soul, and chiefly of the soul.
A sight to dream of, not to tell!
When the weather's rough and it's whiskey in the rain it's best to wrap your savior up in cellophane.
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