Tragedy, for me, is not a conflict between right and wrong, but between two different kinds of right.
Peter ShafferRead
I discover what I mean as I write. That can be both terrifically exciting and very dangerous, because when you look at your words later, you wonder, 'Did I really mean that, or am I just making verbal patterns?'
Interpretation
Writing is a process of self-discovery that can lead to profound insights or unexpected confusion.
Peter Shaffer's quote reflects the dual nature of the writing process, where the act of expressing oneself can unveil deeper meanings and emotions, yet also raise doubts about the authenticity of those expressions. It emphasizes that writing is not just a mechanical act of putting words together, but a journey of exploration that may lead to clarity or bewilderment.
In practice
This quote can be used in a writing workshop to encourage participants to embrace the unpredictability of their work.
Tragedy, for me, is not a conflict between right and wrong, but between two different kinds of right.
Things rust, you know, like the heart. My cardiologist said, 'It's a pump; use it - that's the sole advice I've got to give you.' It's the same in playwriting. Don't theorise about it. Do it.
Rehearsing a play is making the word flesh. Publishing a play is reversing the process.
The Normal is the good smile in a child’s eyes - all right. It is also the dead stare in a million adults.
It's just because I love the past that I want this house to look back on its glamourous moment of youth and beauty, and I want its stairs to creak as if to the footsteps of women with hoop skirts and men in boots and spurs. But they've made it into a blondined, rouged-up old woman of sixty.
Performing is a profound experience, at least for me. It's not as if I sit down and play 'Fire and Rain' by myself, just to hear it again. But to offer it up... the energy that it somehow summons live takes me right back, and I do get a reconnection to the emotions.
I always feel that whatever isn't necessary shouldn't be in a poem.
Of course I know that the twins are only words on a page, and I'm certainly not the sort of writer who talks to his characters or harbours any illusions about the creative process. But at the same time, I think it's juvenile and arrogant when literary writers compulsively remind their readers that the characters aren't real. People know that already. The challenge is to make an intelligent reader suspend disbelief, to seduce them into the reality of a narrative.
Films like Fargo are why I love the movies.
I dreamed of Crusades, voyages of discovery that nobody had heard of, republics without histories, religious wars stamped out, revolutions in morals, movements of races and continents; I used to believe in every kind of magic. I began it as an investigation. I turned silences and nights into words. What was unutterable, I wrote down. I made the whirling world stand still.
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