Yes, actually ever since I saw his films and tried to write about them, Sirk's been in everything I've done. Not Sirk himself, but what I've learned from his work.
Rainer Werner FassbinderRead
I'd like to be for cinema what Shakespeare was for theatre, Marx for politics and Freud for psychology: someone after whom nothing is as it used to be.
Interpretation
The quote expresses a desire for transformative impact in art, akin to the influence of Shakespeare, Marx, and Freud in their respective fields.
Rainer Werner Fassbinder aspires to leave a profound mark on cinema that would alter its trajectory and perception, similar to how Shakespeare revolutionized theatre, Marx changed politics, and Freud impacted psychology. The ambition reflects a yearning for artistic innovation and a legacy that shifts paradigms, suggesting that true greatness entails cultivating a new era in one's field.
In practice
During a film festival, one might quote this to inspire filmmakers to strive for significant artistic contributions.
Yes, actually ever since I saw his films and tried to write about them, Sirk's been in everything I've done. Not Sirk himself, but what I've learned from his work.
So certainly, if we can tell evil stories to make people sick, we can also tell good myths that make them well.
I detest the idea that love between two persons can lead to salvation. All my life I have fought against this oppressive type of relationship. Instead, I believe in searching for a kind of love that somehow involves all of humanity.
It isn't easy to accept that suffering can also be beautiful... it's difficult. It's something you can only understand if you dig deeply into yourself.
The more real things get, the more like myths they become. There have always been myths, but the myths of earlier times were, Im convinced, bad ones, because they made people sick. So certainly, if we can tell evil stories to make people sick, we can also tell good myths that make them well.
I can't work without a model. I won't say I turn my back on nature ruthlessly in order to turn a study into a picture, arranging the colors, enlarging and simplifying; but in the matter of form I am too afraid of departing from the possible and the true.
Painting is just another way of keeping a diary.
The cinema began with a passionate, physical relationship between celluloid and the artists and craftsmen and technicians who handled it, manipulated it, and came to know it the way a lover comes to know every inch of the body of the beloved. No matter where the cinema goes, we cannot afford to lose sight of its beginnings.
Writing is a deep-sea dive. You need hours just to get into it: down, down, down. If you're called back to the surface every couple of minutes by an email, you can't ever get back down. I have a great friend who became a Twitterer and he says he hasn't written anything for a year.
There is this looking at the world as shapes and patterns and colors that have meaning, and you can't deny the superficial because the superficial is what meets the eye.
Such labour'd nothings, in so strange a style, Amaze th' unlearn'd and make the learned smile.
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