Yes, actually ever since I saw his films and tried to write about them, Sirk's been in everything I've done. Not Sirk himself, but what I've learned from his work.
Rainer Werner FassbinderRead
I'd like to be for cinema what Shakespeare was for theatre, Marx for politics and Freud for psychology: someone after whom nothing is as it used to be.
Interpretation
The quote expresses a desire for transformative impact in art, akin to the influence of Shakespeare, Marx, and Freud in their respective fields.
Rainer Werner Fassbinder aspires to leave a profound mark on cinema that would alter its trajectory and perception, similar to how Shakespeare revolutionized theatre, Marx changed politics, and Freud impacted psychology. The ambition reflects a yearning for artistic innovation and a legacy that shifts paradigms, suggesting that true greatness entails cultivating a new era in one's field.
In practice
During a film festival, one might quote this to inspire filmmakers to strive for significant artistic contributions.
Yes, actually ever since I saw his films and tried to write about them, Sirk's been in everything I've done. Not Sirk himself, but what I've learned from his work.
So certainly, if we can tell evil stories to make people sick, we can also tell good myths that make them well.
I detest the idea that love between two persons can lead to salvation. All my life I have fought against this oppressive type of relationship. Instead, I believe in searching for a kind of love that somehow involves all of humanity.
It isn't easy to accept that suffering can also be beautiful... it's difficult. It's something you can only understand if you dig deeply into yourself.
The more real things get, the more like myths they become. There have always been myths, but the myths of earlier times were, Im convinced, bad ones, because they made people sick. So certainly, if we can tell evil stories to make people sick, we can also tell good myths that make them well.
In my photography, I always lean towards the underprivileged because that's where I came from. When I went to the wars, I attempted to go and stand by those who were being trodden on. By that, I mean people like the Palestinians. When I go to India, I see really the poorest people, and I tend to be drawn to them.
My work on titles was a marvelous opportunity to learn about filmmaking. I think I touched on just about every aspect of the process, both creative and technical. And I worked with many wonderful people.
I hate pretty. Itβs a very empty word. It gives a bad name to beauty.
In the world of musical theatre, if everyone says it's a good idea, you wonder why nobody has done it before.
There's a film you write, there's a film you shoot, and there's a film that you cut - and they're all different.
The theater requires an essential gullibility that you can't get through life without having. If all you can feel is skepticism-well , you meet people like this. Run away from them. They're not good people.
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