I have this belief that we are so vulnerable when we open ourselves up to literature. We're reminded of these real parts of ourselves.
Interpretation
Literature exposes our vulnerabilities and connects us to our true selves.
In this quote, Tracy K. Smith emphasizes the profound impact literature has on our understanding of ourselves. By engaging with stories and characters, we allow ourselves to confront our vulnerabilities and reflect on our own experiences, ultimately fostering a deeper connection to our humanity.
In practice
In a book club discussion, someone might say, 'This quote by Tracy K. Smith perfectly captures how reading can reveal our innermost selves.'
We all need poetry. The moments in our lives that are characterized by language that has to do with necessity or the market, or just, you know, things that take us away from the big questions that we have, those are the things that I think urge us to think about what a poem can offer.
I wanted to write the kind of poetry that people read and remembered, that they lived by - the kinds of lines that I carried with me from moment to moment on a given day without even having chosen to.
I love the sense of looking at the sad, paltry, and yet very familiar spectacle that we must make from moment to moment in our lives, and in our frenzy, as something that's as out there as alien life.
Losing my father made me want to find out if I could come up with a version of God or the afterlife that I could feel like was acceptable now that both my parents are in it.
Prose is something that is persistent in staying in one place long enough to not only zero in on the dramatic effect of something that might have happened, or something that might have been seen, but also in watching how it played out and thinking about the cause and the effect.
A question is a pursuit, an invitation to envision and explore a series of possibilities, to struggle and empathize and doubt and believe. The question moves, whereas our sense of what an answer is can often be static, a stopping point.
Lots of people can write a good first page but to sustain it, that's my litmus test. If I flip to the middle of the book and there's a piece of dialogue that's just outstanding, or a description, then I'll flip back to the first page and start it.
Literature takes a habit of mind that has disappeared. It requires silence, some form of isolation, and sustained concentration in the presence of an enigmatic thing.
When a novel has 200,000 words, then it is possible for the reader to experience 200,000 delights, and to turn back to the first page of the book and experience them all over again, perhaps more intensely.
Each book, intuitively sensed and, in the case of fiction, intuitively worked out, stands on what has gone before, and grows out of it. I feel that at any stage of my literary career it could have been said that the last book contained all the others.
Poor Faulkner. Does he really think big emotions come from big words? He thinks I donβt know the ten-dollar words. I know them all right. But there are older and simpler and better words, and those are the ones I use.
Books--oh! no. I am sure we never read the same, or not with the same feelings." "I am sorry you think so; but if that be the case, there can at least be no want of subject. We may compare our different opinions.
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