Art begins when a man, with a purpose of communicating to other people a feeling he once experienced, calls it up again within himself and expresses it by certain external signs.
Leo TolstoyRead
The best stories don't come from "good vs. bad" but "good vs. good.
Interpretation
The best narratives arise from complex moral dilemmas rather than simple oppositions of good and evil.
Leo Tolstoy's quote emphasizes that the richness of storytelling is found in conflicts where both sides possess commendable qualities, rather than a straightforward clash between right and wrong. This complexity creates a deeper engagement for the audience, inviting them to explore the nuances of morality and human experience.
In practice
During a literature class discussion, a teacher might use this quote to highlight the importance of moral ambiguity in fiction.
Art begins when a man, with a purpose of communicating to other people a feeling he once experienced, calls it up again within himself and expresses it by certain external signs.
Pierre looked into the sky, into the depths of the retreating, twinkling stars. "And all this is mine, and all this is in me, and all this is me!" thought Pierre. "And all this they've caught and put in a shed and boarded it up!
People try to do all sorts of clever and difficult things to improve life instead of doing the simplest, easiest thing-refusing to participate in activities that make life bad.
It's too easy to criticize a man when he's out of favour, and to make him shoulder the blame for everybody else's mistakes.
Music is the shorthand of emotion. Emotions, which let themselves be described in words with such difficulty, are directly conveyed to man in music, and in that is its power and significance.
A quiet secluded life in the country, with the possibility of being useful to people to whom it is easy to do good, and who are not accustomed to have it done to them; then work which one hopes may be of some use; then rest, nature, books, music, love for one's neighbor β such is my idea of happiness.
The deeper our faith, the more doubt we must endure; the deeper our hope, the more prone we are to despair; the deeper our love, the more pain its loss will bring: these are a few of the paradoxes we must hold as human beings. If we refuse to hold them in the hopes of living without doubt, despair, and pain, we also find ourselves living without faith, hope, and love.
Not long ago I learned from a certain person in considerable detail about the worthlessness of your character. All the same, it is you who have given me strength, you who have put the rainbow of revolution in my breast. It is you who have given an object to my life.
The possession of arbitrary power has always, the world over, tended irresistibly to destroy humane sensibility, magnanimity, and truth.
There has never been a time in which I have been convinced from within myself that I am alive. You see, I have only such a fugitive awareness of things around me that I always feel they were once real and are now fleeting away. I have a constant longing, my dear sir, to catch a glimpse of things as they may have been before they show themselves to me.
It's all real in Outside, everything there is, because I saw an airplane in the blue between the clouds. Ma and me can't go there because we don't know the secret code, but it's real all the same. Before I didn't know to be mad that we can't open Door, my head was too small to have Outside in it.
This business of burning human beings with napalm, of filling our nation's homes with orphans and widows, of injecting poisonous drugs of hate into veins of peoples normally humane, of sending men home from dark and bloody battlefields physically handicapped and psychologically deranged, cannot be reconciled with wisdom, justice and love.
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