My father was a man of love. He always loved me to death. He worked hard in the fields, but my father never hit me. Never. I don't ever remember a really cross, unkind word from my father.
Johnny CashRead
I was wearing black clothes almost from the beginning. I feel comfortable in black. I felt like black looked good onstage, that it was attractive, so I started wearing it all the time.
Interpretation
Johnny Cash expresses his comfort and appeal in wearing black clothing, linking it to his identity as a performer.
In this quote, Johnny Cash reflects on his choice of wearing black clothing, which became a signature style for him. He associates the color black with comfort and attractiveness, suggesting that it not only is a fashion statement but also represents his persona as a musician, highlighting the importance of self-expression through attire in the performing arts.
In practice
In a fashion seminar to discuss trends and individuality.
My father was a man of love. He always loved me to death. He worked hard in the fields, but my father never hit me. Never. I don't ever remember a really cross, unkind word from my father.
I start a lot more songs than I finish, because I realize when I get into them, they're no good. I don't throw them away, I just put them away, store them, get them out of sight.
Six foot six he stood on the ground He weighed two hundred and thirty-five pounds But I saw that giant of a man brought down To his knees by love
That was the big thing when I was growing up, singing on the radio. The extent of my dream was to sing on the radio station in Memphis. Even when I got out of the Air Force in 1954, I came right back to Memphis and started knocking on doors at the radio station.
There's no way around grief and loss: you can dodge all you want, but sooner or later you just have to go into it, through it, and, hopefully, come out the other side. The world you find there will never be the same as the world you left.
If you aren't gonna say exactly how and what you feel, you might as well not say anything at all.
The language of art is celestial in origin and can only be understood by the chosen.
It hardly seems worthwhile to point out the shortsightedness of those practitioners who would have us believe that the form of the poem is merely its shape.
Great art is indefinable but that's all right; it exists anyway.
To put down an ideogram of a table so that people will recognize it as a table is not the work of a painter, but to sense it for a moment as a magic carpet with a leg hanging down at each corner is the beginning of a painter's imagination.
Things are pretty, graceful, rich, elegant, handsome, but, until they speak to the imagination, not yet beautiful.
The poem, the song, the picture, is only water drawn from the well of the people, and it should be given back to them in a cup of beauty so that they may drink - and in drinking understand themselves.
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