Do you not see how necessary a world of pains and troubles is to school an intelligence and make it a soul?
John KeatsRead
A poem needs understanding through the senses. The point of diving in a lake is not immediately to swim to the shore; it’s to be in the lake, to luxuriate in the sensation of water. You do not work the lake out. It is an experience beyond thought. Poetry soothes and emboldens the soul to accept mystery.
Interpretation
The quote emphasizes the importance of sensory experience in appreciating poetry and life.
John Keats suggests that true understanding of poetry, much like the experience of swimming in a lake, comes from immersing oneself in the experience rather than trying to analyze or break it down logically. It highlights that poetry—and life—should be enjoyed for the beauty of the experience, allowing one to embrace the mysteries that lie beyond intellectual understanding.
In practice
In a literature class discussion on the nature of poetry, this quote could highlight the importance of feeling rather than just analyzing.
Do you not see how necessary a world of pains and troubles is to school an intelligence and make it a soul?
Are there not thousands in the world who love their fellows even to the death, who feel the giant agony of the world, and more, like slaves to poor humanity, labor for mortal good?
Ask yourself my love whether you are not very cruel to have so entrammelled me, so destroyed my freedom. Will you confess this in the Letter you must write immediately, and do all you can to console me in it — make it rich as a draught of poppies to intoxicate me —write the softest words and kiss them that I may at least touch my lips where yours have been. For myself I know not how to express my devotion to so fair a form: I want a brighter word than bright, a fairer word than fair.
Faded the flower and all its budded charms,Faded the sight of beauty from my eyes,Faded the shape of beauty from my arms,Faded the voice, warmth, whiteness, paradise!Vanishd unseasonably
I think we may class the lawyer in the natural history of monsters.
...I leaped headlong into the Sea, and thereby have become more acquainted with the Soundings, the quicksands, and the rocks, than if I had stayed upon the green shore, and piped a silly pipe, and took tea and comfortable advice.
There's a steady forward march of a creative process that some of us stay with and don't give up - that should be an admirable thing - from Louis Armstrong to Charlie Parker to Miles to Ornette and some people who are not even known today - some kids coming up - people who are out to change the world.
In drawing, nothing is better than the first attempt.
I really don't care that much about "Beauties." What I really like are Talkers. To me, good talkers are beautiful because good talk is what I love. The word itself shows why I like Talkers better than Beauties, why I tape more than I film. It's not "talkies." Talkers are doing something.
A work of art is one through which the consciousness of the artist is able to give its emotions to anyone who is prepared to receive them.
The dignity of the artist lies in his duty of keeping awake the sense of wonder in the world. In this long vigil he often has to vary his methods of stimulation; but in this long vigil he is also himself striving against a continual tendency to sleep.
We find things beautiful because we recognize them and contrariwise we find things beautiful because their novelty surprises us.
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