You have to recover the capacity to imagine yourself as an ideal and figure out how to project that into the world.
Kerry James MarshallRead
For black people, everything we do has to be ratified and endorsed by a power structure that is white. And that reinforces a kind of racial hierarchy where whiteness is the privileged position to be in, and ethnicity is problematic.
Interpretation
The quote highlights the systemic racial hierarchy that privileges whiteness and marginalizes Black identities and actions.
Kerry James Marshall's quote reflects on the societal dynamics where Black individuals must seek validation from a predominantly white power structure, illustrating how this dependency creates a hierarchical system that privileges whiteness. This systemic endorsement challenges the intrinsic value of Black culture and identity, marking it as 'problematic' within the prevailing social order, and emphasizes the need to confront and dismantle these inequities.
In practice
In a discussion on systemic racism in a community meeting.
You have to recover the capacity to imagine yourself as an ideal and figure out how to project that into the world.
In Western Catholicism, darkness was evil. In the colonial and imperial context, dark skin was always weak, powerless, subjugated. If you see these images all the time, they become commonplace, and they no longer become a spectacular or sensational thing.
My introduction to art history was like everybody else's. You see an art history book that has works by Rembrandt and Leonardo da Vinci and Michelangelo. Yes, these things are great. But I don't see a reflection of myself in any of these things I'm looking at.
If you think about the way we experience art, the paradigm is still Western European. If I go to the National Gallery, what am I going to see the most of? I'm not going to see a whole lot of black figures in pictures.
When you go to an art museum, the thing you're least likely to encounter is a picture of a black person. When it comes to ideas about art and about beauty, the black figure is absent.
The history of political movements in the African diaspora is that the solution to the problem is never in the hands of people who are advancing the movement. I try and operate on my own terms.
Our allegiance is to the principles always, and not to the persons. Persons are but the embodiments, the illustrations of the principles. If the principles are there, the persons will come by the thousands and millions. If the principle is safe, persons like Buddha will be born by the hundreds and thousands. But if the principle is lost and forgotten and the whole of national life tries to cling round a so-called historical person, woe unto that religion, danger unto that religion!
China had never had to deal in a world of countries of approximately equal strength, and so to adjust to such a world, is in itself a profound challenge to China, which now has fourteen countries on its borders, some of which are small, but can project their nationality into China, some of which are large, and historically significant, so that any attempt by Chinese to dominate the world, would involve in a disastrous for the peace of the world.
There's the constant concern with what happens to you when you die. Every society thinks about that and makes things to deal with that.
Things happen to us in unpredictable ways, but the effect that that has on the kind of people who we become actually is not only open to chance - we can influence it in pretty profound ways.
As soon as a women gets to an age where she has opinions and she's vital and she's strong, she's systematically shamed into hiding under a rock.
I'm convinced that I'm a child of God. That's wonderful, exhilarating, liberating, full of promise. But the burden which goes along with that is, I'm convinced that everybody is a child of God. . . . I weep a lot. I thank God I laugh a lot, too. The main thing in one's own private world is to try to laugh as much as you cry.
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