You're the first, the last, and my everything and the answer to all my dreams. You're my sun, my moon, my guiding star, my kind of wonderful, that's what you are
Barry WhiteRead
Blacks own so little of the music business, it's pathetic. But I see that changing soon. Black artists, black businessmen and women will unite.
Interpretation
Barry White highlights the lack of ownership of the music industry by Black individuals but expresses hope for change through unity.
In this quote, Barry White addresses the systemic inequalities within the music industry, where Black artists and entrepreneurs have historically had limited ownership and control. He emphasizes the necessity for Black individuals to come together, suggesting that collective action and unity will lead to greater representation and ownership, ultimately changing the narrative of the music business.
In practice
In a discussion about representation in the arts, this quote can highlight the need for systemic change.
You're the first, the last, and my everything and the answer to all my dreams. You're my sun, my moon, my guiding star, my kind of wonderful, that's what you are
Jimi Hendrix came from the blues, like me. We understood each other right away because of that. He was a great blues guitarist.
I was looking for some way to put my music to some service on a nightly basis. You go into a town, you play a little music, you leave something behind. That idea connected us to the local community. It was a very simple idea, but it really resonated with me.
The colored folks been singing it and playing it just like I'm doin' now, man, for more years than I know. I got it from them.
Some kids went to the movies for escape. We found it with jazz. This is where we got religion. It was a kind of raw spiritual anarchy.
It may be that when the angels go about their task praising God, they play only Bach. I am sure, however, that when they are together en famille they play Mozart.
Soundgarden signing to a major, then Mother Love Bone, and seeing the same happen to Alice in Chains. We were all suddenly making music and recording at the same time, and we had money to do it. It wasn't like a $2,000 recording that you do over a weekend. It's like, 'Wow, maybe this will be our job.'
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