As I get, I give. Giving as you get is critical. It has everything to do with being happy for yourself, and making others happy is the cause of making yourself happy, and it’s the cycle of giving and getting.
Russell SimmonsRead
The difference between blues, jazz, rock n' roll and rap is that rap stayed poor. Even the white rappers are poor. It's scarier to look at poor people; it makes everyone uncomfortable. Their pain is something that people would like to see swept under the rug.
Interpretation
The quote highlights the socioeconomic disparity often reflected in musical genres, particularly focusing on rap.
Russell Simmons points out that while genres like blues, jazz, and rock n' roll have seen varied success and cultural acceptance, rap music remains closely tied to its root in poverty. This connection evokes discomfort in society as it confronts the reality of systemic issues faced by individuals in underprivileged communities, which are often ignored or hidden from view.
In practice
Using this quote in a discussion about the evolution of music genres in a sociology class.
As I get, I give. Giving as you get is critical. It has everything to do with being happy for yourself, and making others happy is the cause of making yourself happy, and it’s the cycle of giving and getting.
I think if you're open-minded, the road will take you where it takes you. If you're closed, you might not get to go where the road is heading.
It's all about the work. Nothing is going to fall into your lap. If you want to be a lawyer, see yourself as a lawyer, go to the library and start learning the law. If you want to be a rapper, start rapping and get out there. Live your life as if you already are where you want to be.
I'm just suggesting that when you're faced with fear and anxiety, don't medicate. Meditate instead.
Always focus on your effort, instead of the results of that effort.
America, you know, they always separate people because of race. They've been able to convince, 'The niggers are coming.' You know, the diversity that America has is so special. It's starting to really become a cool thing for young people. Not only because there are more mixes of people, but because people are more open-minded about each other. So I think in the future, America has a great, great opportunity, and mostly because of hip-hop.
You ask for your audience's investment in your music; you're in a relationship with them. And their relationship with the E Street Band is separate from whatever else I might do. I like the idea of us being something that people rely on.
I've never thought about songwriting as a weapon. I've only thought about it as a way to help me get through love and loss and sadness and loneliness and growing up.
I'll always remember when I first heard Lester [Young]. I'd never heard anyone like him before. He was a stylist with a different sound. A sound I'd never heard before or since. To be honest with you, I didn't much like it at first.
You can go out and find ways to make your own record and get it out there now. If you really want to, you can be heard. Keep things simple. Learn to go out and play solo. That's a really really good thing to learn, if you're a singer-songwriter. Don't be dependent on a band because you may not always be able to afford one.
Anybody with money can put on a KISS show, but they can't be KISS.
Records were vitally important to the development of music and of all music cultures. With that being pushed by the wayside, I can't see an iPod uniting us. In fact it separates us, the streets are full of people bumping into lamp posts, listening to their own little universe, and there's no sharing in that.
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