Music isn't about music, it's about life.
Herbie HancockRead
Clare Fischer was a major influence on my harmonic concept. He and Bill Evans, and Ravel and Gil Evans, finally. You know, that's where it really came from. Almost all of the harmony that I play can be traced to one of those four people and whoever their influences were.
Interpretation
This quote attributes the foundation of Herbie Hancock's harmonic style to influential musicians.
Herbie Hancock reflects on the significant impact that certain musicians had on his development as an artist. He acknowledges Clare Fischer, Bill Evans, Ravel, and Gil Evans as key figures whose harmonic concepts shaped his own musical expression, illustrating the intertwined nature of creativity and collaboration within the music community.
In practice
In a speech at a music conference discussing the evolution of jazz.
Music isn't about music, it's about life.
I don't mind being classified as a jazz artist, but I do mind being restricted to being a jazz artist. My foundation has been in jazz, though I didn't really start out that way. I started in classical music, but my formative years were in jazz, and it makes a great foundation.
In World War II, jazz absolutely was the music of freedom, and then in the Cold War, behind the Iron Curtain, same thing. It was all underground, but they needed the food of freedom that jazz offered.
I think people have learned that Herbie Hancock can be defined as someone that you won't be able to figure out what he's going to do next. The sky is the limit as far as I'm concerned.
One thing that sticks in my mind is that jazz means freedom and openness. It's a music that, although it developed out of the African American experience, speaks more about the human experience than the experience of a particular people.
I started off with classical music, and I got into jazz when I was about 14 years old. And I've been playing jazz ever since.
There's no substitute for live work to keep a band together.
One thing is that I wasn't getting booked that well, and they had control over who got the awards, they had control over who sold. And they really did not want Willie or me, either one, to have a hit record. They wanted the money, but they didn't want us to be the ones.
I think ABBA have a pure joy to their music and that's what makes them extraordinary.
I'm saying: to be continued, until we meet again. Meanwhile, keep on listening and tapping your feet.
I can show you that I have played with just about every jazz musician, every African musician, every blues musician. It's not like I'm cashing in on a false concept. This is what I do.
So I asked him to play "Trav'lin' All Alone." That came closer than anything to the way I felt. And some part of it must have come across. The whole joint quieted down. If someone had dropped a pin, it would have sounded like a bomb. When I finished, everybody in the joint was crying in their beer, and I picked thirty-eight bucks up off the floor. . . . When I showed Mom the money for the rent and told her I had a regular job singing for eighteen dollars a week, she could hardly believe it.
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