The blues. It runs through all American music. Somebody bending the note. The other is the two-beat groove. It's in New Orleans music, it's in jazz, it's in country music, it's in gospel.
Interpretation
The blues is a foundational element in various genres of American music, characterized by emotional expression and rhythmic patterns.
In this quote, Wynton Marsalis emphasizes the significance of the blues as a crucial element that permeates all forms of American music. He points out that the unique qualities of bending notes and the two-beat groove are present in diverse genres such as New Orleans music, jazz, country, and gospel, showcasing the profound influence and versatility of blues in shaping American musical identity.
In practice
During a music history class, this quote can be used to illustrate the roots of American music.
Swing is extreme coordination. It's a maintaining balance, equilibrium. It's about executing very difficult rhythms with a panache and a feeling in the context of very strict time. So, everything about the swing is about some guideline and some grid and the elegant way that you negotiate your way through that grid.
Many of our greatest musicians abandoned all of their aesthetic objectives to try to become pertinent. And, at the end of the day, they never became pop stars. I counter stated that very strongly, and I continue to do that.
Jazz music is the power of now. There is no script. It's conversation. The emotion is given to you by musicians as they make split-second decisions to fulfill what they feel the moment requires.
In Jazz, improvisation isn't a matter of just making any ol' thing up. Jazz, like any language, has its own grammer and vocabulary. There's no right or wrong, just some choices that are better than others.
My daddy thought - no, he expected - that my brothers and I and our generation would make the world a better place. He was correct in his belief because he had lived in an America of continual social progress, depression followed by prosperity, segregation by integration, and so on.
New Orleans had a great tradition of celebration. Opera, military marching bands, folk music, the blues, different types of church music, ragtime, echoes of traditional African drumming, and all of the dance styles that went with this music could be heard and seen throughout the city. When all of these kinds of music blended into one, jazz was born.
Aretha with no goals, eternally single & one step soft of heaven/ let it be understood that she owns this melody along with her emotional diplomats & her earth & her musical secrets
I always saw myself as a singer-songwriter, a solo-artist, that's why working with other artists was never satisfying for me.
I was never too keen on the British music press. They've called us a supermarket hype, and they used to suggest that we didn't write our own songs.
The E Street band casts a pretty wide net. Our influences go all the way back to the early primitive garage music, and also, we've had everything in the band from jazz players to Kansas City trumpet players to Nils Lofgren, one of the great rock guitarists in the world.
When I started playing music, people weren't selling 5 million records. That was not the standard; that was not the focus.
I'm trying everything I can not to be jaded 'cause I don't like jaded musicians.
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