After Momma gave birth to twelve of us kids, we put her up on a pedestal. It was mostly to keep Daddy away from her.
Dolly PartonRead
My boobs are fake, my hair's fake but what is real is my voice and my heart.
Interpretation
The quote emphasizes the importance of authenticity in one's true self over superficial appearances.
Dolly Parton highlights that while external features such as her physical appearance may be enhanced or artificial, the most genuine aspects of herself lie in her voice and her heart. This message speaks to the value of inner truth and emotional integrity, suggesting that true identity is defined by one's character and passion rather than outward appearances.
In practice
In a motivational speech about self-acceptance.
After Momma gave birth to twelve of us kids, we put her up on a pedestal. It was mostly to keep Daddy away from her.
My songs are the door to every dream I've ever had and every success I've ever achieved.
A real important thing is that, though I rely on my husband for love, I rely on myself for strength.
The hardest exercise for most of us fat people is that one where we push our chairback from the dinner table.
If your actions create a legacy that inspires others to dream more, learn more, do more and become more, then, you are an excellent leader.
Until I was a teenager, I used red pokeberries for lipstick and a burnt matchstick for eyeliner. I used honeysuckle for perfume.
My music is mostly for the music. And it gives the liberty to do anything which I want. And nobody limits me to one genre of music. But I learn from life and I try to give back to life, in a way, whether it's the thought of the song or whether it's the approach to the arrangement or anything.
If your only dance experience is the Nutcracker, it will be a shock; hopefully shocking in a good way.
The art of drawing which is of more real importance to the human race than that of writing...should be taught to every child just as writing is.
Literature is the art of writing something that will be read twice; journalism what will be grasped at once.
Experience was my only teacher; I knew little of the modern art movement. When I first saw the works of the Impressionists, van Gogh, van Dongen, and Fauves, I admired it. But I had to seek the true way alone.
Being essentially a creator, I never set out to shock, always thinking about creating my work and not about the benefits it could produce.
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