Jump off. You are a protected individual. Do not fear.
Henry MillerRead
This is not a book in the ordinary sense of the word. No, this is a prolonged insult, a gob of spit in the face of art, a kick in the pants to God, Man, Destiny, Time, Love, Beauty... what you will.
Interpretation
Henry Miller emphasizes that his work transcends traditional literature by confronting and challenging societal and artistic norms.
In this quote, Henry Miller expresses his belief that his writing is not merely a conventional book but rather a provocative statement against established ideals such as art, divinity, and human experiences. By presenting his work as an affront to these concepts, he seeks to provoke thought and provoke reactions from his readers, challenging them to rethink their assumptions about literature and life.
In practice
In a discussion about literary freedom at a writer's workshop.
Jump off. You are a protected individual. Do not fear.
I saw through to the last sign and symbol, but I could not read her face. I could see only the eyes shining through, huge, fleshy-like luminous beasts, as though I were swimming behind them in the electric effluvia of her incandescent vision.
The essential thing is to WANT to sing. This then is a song. I am singing.
Great God! What have I turned into? What right have you people to clutter up my life, steal my time, probe my soul, suckle my thoughts, have me for your companion, confidant, and information bureau? What do you take me for? Am I an entertainer on salary, required every evening to play an intellectual farce under your stupid noses? Am I a slave, bought and paid for, to crawl on my belly in front of you idlers and lay at your feet all that I do and all that I know?
We are swimming on the face of time and all else has drowned, is drowning, or will drown.
To sing you must first open your mouth. You must have a pair of lungs, and a little knowledge of music. It is not necessary to have an accordion, or a guitar. The essential thing is to want to sing. This then is a song. I am singing.
My weakness ... is architecture. I think of my work as ephemeral architecture, dedicated to the beauty of the female body.
You must be really bad, because it is a puzzle. Creating anything is hard. It’s a cliché thing to say, but every time you start a job, you just don’t know anything. I mean, I can break something down, but ultimately I don’t know anything when I start work on a new movie. You start stabbing out, and you make a mistake, and it’s not right, and then you try again and again. The key is you have to commit. And that’s hard because you have to find what it is you are committing to.
Matisse makes a drawing, then he makes a copy of it. He copies it five times, ten times, always clarifying the line. He’s convinced that the last, the most stripped down, is the best, the purest, the definitive one; and in fact, most of the time, it was the first. In drawing, nothing is better than the first attempt.
A poem I write is not just about me; it is about national identity, not just regional but national, the history of people in relation to other people. I reach for these outward stories to make sense of my own life, and how my story intersects with a larger public history.
I think women are vital to the future of the superhero comics and the entire industry - as creators, as editors, as consumers, as retailers.
I was always writing for myself. I wrote what I needed to write and hear - that's what makes it powerful.
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