Love, whether newly born, or aroused from a deathlike slumber, must always create sunshine, filling the heart so full of radiance, this it overflows upon the outward world.
Nathaniel HawthorneRead
The book, if you would see anything in it, requires to be read in the clear, brown, twilight atmosphere in which it was written; if opened in the sunshine, it is apt to look exceedingly like a volume of blank pages.
Interpretation
The quote suggests that understanding a book requires the right context and atmosphere for reading.
Nathaniel Hawthorne emphasizes that a book's true essence and meaning can only be appreciated when read in the specific atmosphere in which it was created. If approached carelessly, like in bright sunshine, the text may seem meaningless or dull, akin to blank pages, highlighting the importance of setting and mood in the reading experience.
In practice
During a book club meeting, to explain why setting affects interpretation.
Love, whether newly born, or aroused from a deathlike slumber, must always create sunshine, filling the heart so full of radiance, this it overflows upon the outward world.
A bodily disease which we look upon as whole and entire within itself, may after all, be but a symptom of some ailment in the spiritual part.
All merely graceful attributes are usually the most evanescent.
There is so much wretchedness in the world, that we may safely take the word of any mortal professing to need our assistance; and, even should we be deceived, still the good to ourselves resulting from a kind act is worth more than the trifle by which we purchase it.
Let men tremble to win the hand of woman, unless they win along with it the utmost passion of her heart! Else it may be their miserable fortune, when some mightier touch than their own may have awakened all her sensibilities, to be reproached even for the calm content, the marble image of happiness, which they will have imposed upon her as the warm reality.
The thing you set your mind on is the thing you ultimately become.
You could tell 'The Handmaid's Tale' from a male point of view. People have mistakenly felt that the women are oppressed, but power tends to organise itself in a pyramid. I could pick a male narrator from somewhere in that pyramid. It would interesting.
I can think of no other writer who so thoroughly embodies the Jamesian spirit as Alison Lurie. Like him she can excavate all the possibilities of a theme. Like his, her books seem long, unbroken threads, seamless progressions of effects.
I'll read anything Anne Carson writes, anything J. M. Coetzee writes, and anything Cormac McCarthy writes. I'll drop whatever I'm doing to read a new Mary Ruefle essay.
A tale should be judicious, clear, succinct; The language plain, and incidents well link'd; Tell not as new what ev'ry body knows; and, new or old, still hasten to a close.
I think the reason these readers come back to me is because I represent their points of view. It may not be my point of view, but that's OK. Everyone still deserves to have their say.
Writers of feminist dystopian fiction are alert to the realities that grind down women's lives, that make the unthinkable suddenly thinkable.
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