My books piled up before me for my use waiting in space where I placed them, they haven't disappeared, time's left its remnants and qualities for me to use -- my words piled up, my texts, my manuscripts, my loves.
Interpretation
This quote reflects the lasting impact of creativity and the value of one's work over time.
In this quote, Allen Ginsberg expresses the idea that the creative works and writings he has produced are ever-present and accessible to him. They serve as remnants of time and personal history, emphasizing how literature and artistic expression endure beyond their creation, allowing the author to revisit and draw upon their past thoughts, emotions, and experiences.
In practice
This quote can be used in a speech about the importance of preserving creative works.
I saw the best minds of my generation destroyed by madness, starving hysterical naked, dragging themselves through the negro streets at dawn looking for an angry fix angelheaded hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of the night.
Marijuana is a useful catalyst for specific optical and aural aesthetic perceptions. I apprehended the structure of certain pieces of jazz and classical music in a new manner under the influence of marijuana, and these apprehensions have remained valid in years of normal consciousness.
Many seek and never see, anyone can tell them why. O they weep and O they cry and never take until they try unless they try it in their sleep and never some until they die. I ask many, they ask me. This is a great mystery.
What if someone gave a war and Nobody came?
Fortunately art is a community effort - a small but select community living in a spiritualized world endeavoring to interpret the wars and the solitudes of the flesh.
Sometime Iβll lay down my wrath, As I lay my body down Between the ache of breath and breath, Golden slumber in the bone.
The emotion of beauty is always obscured by the appearance of the object. Therefore, the object must be eliminated from the picture.
Performance is there, and if you are not there in that moment it happened, it just stays in the memory. It's so immaterial and something this immaterial is very difficult to collect. Its difficult to buy, its how we can buy immaterial art.
I really don't care that much about "Beauties." What I really like are Talkers. To me, good talkers are beautiful because good talk is what I love. The word itself shows why I like Talkers better than Beauties, why I tape more than I film. It's not "talkies." Talkers are doing something.
As an artist, I used to think that my responsibility was to do good work. But I had to learn from the '70s on that being a public figure presents another aspect of responsibility.
I am not the kind of director who sits in a chair smoking a cigar talking with a microphone to 10 assistants. I need to move. To touch. To put a painting on a wall. To arrange a set.
Sing such a song with all of your heart that you'll never have to sing again.
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