Memory has always fascinated me. Think of it. You can recall at will your first day in high school, your first date, your first love.
Eric KandelRead
A brain scan may reveal the neural signs of anxiety, but a Kokoschka painting, or a Schiele self-portrait, reveals what an anxiety state really feels like. Both perspectives are necessary if we are to fully grasp the nature of the mind, yet they are rarely brought together.
Interpretation
This quote emphasizes the importance of both scientific and artistic perspectives in understanding human anxiety.
Eric Kandel highlights the duality of understanding anxiety through both objective scientific methods, like brain scans, and subjective artistic expressions, such as paintings. He argues that while brain scans can identify physical indicators of anxiety, artworks embody the emotional and psychological experience of the condition, and together they provide a more comprehensive understanding of the mind's complexities.
In practice
This quote could be used in a discussion about the intersection of psychology and the arts during a mental health conference.
Memory has always fascinated me. Think of it. You can recall at will your first day in high school, your first date, your first love.
Psychoanalysis has a degree of unreliability about it. You will never know whether you've found the truth. You may find a subjective truth, but you don't know.
You learn emotional experiences as much as you learn cognitive experiences, except that they are more unconscious. Sometimes one represses the cognitive component of it, but it's often more difficult to repress the emotional component.
Ever since the Enlightenment, people thought that we were living in a rational universe. They thought that God was a mathematician and that the function of the scientist was to figure out the mathematical rules whereby the universe was created.
I was interested in the nature of human mental processes, which is what got me interested in psychoanalysis. And it became clear to me after a while that mental processes come from the brain, and in order to understand them, you need to be a biologist of the brain.
In art, as in science, reductionism does not trivialize our perception - of color, light, and perspective - but allows us to see each of these components in a new way.
People don't realize that now is all there ever is; there is no past or future except as memory or anticipation in your mind.
You do not explain the tree by telling of the water it has drunk, the minerals it has absorbed, and the sunlight that strengthened it.
A night of endless dreams, inconsequent and wild, is this my life; none more worth telling than the rest.
Not only is the past of a person with no memory inaccessible; his ability to think about the future is imperilled. Time travel, then, is ultimately - and paradoxically - an exercise in remembering. And without that capacity it simply cannot exist.
When I started out, nearly every architect I knew was working in public practice; that's where the radical thinking was done. But, there's always a danger of looking back as our fathers did and saying, 'Things were better then.'
He who understands baboon would do more towards metaphysics than Locke.
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