Though I love the arts with all my heart - paintings, sculpture, theatre, and music - and think they are among the biggest achievements we humans can do, I am really convinced that architecture is among the most important.
Santiago CalatravaRead
Building a bridge, in my opinion, is a symbolic gesture, linked with the needs of people who cross over it, and with the idea of overcoming or surmounting obstacles. A modern bridge can also be a work of art. It helps to shape our daily lives and becomes a vital experience for all the people who use it.
Interpretation
A bridge symbolizes overcoming obstacles and serves as an essential part of daily life and art.
Santiago Calatrava highlights the multifaceted significance of a bridge, suggesting that it is not merely a physical structure but also a symbol of connection and resilience. Bridges serve practical needs for those who traverse them, but they also embody artistic expression, influencing how people interact with their environment and each other, ultimately enriching their lives.
In practice
This quote can inspire engineers and architects at a design presentation.
Though I love the arts with all my heart - paintings, sculpture, theatre, and music - and think they are among the biggest achievements we humans can do, I am really convinced that architecture is among the most important.
There is one way that architecture is superior to sculpture, and that is scale. You can walk into a building and have it all around you.
I paint and work as a sculptor, and I see architecture as an art... If you follow this approach you can use techniques to the service of man and to the service of an artistic idea, and beauty.
The architect works for so many years building it, and the moment you deliver it to the people is the moment when you are unnecessary.
When I work on sculpture, I don't have to worry about function. When I work on a piece of architecture, I must think about function all the time.
Architecture is one of the art forms best able to improve and revitalise cities both artistically and functionally.
The painter must give a completely free rein to any feeling or sensations he may have and reject nothing to which he is naturally drawn.
I think all the great studio filmmakers are dead or no longer working. I don't put myself, my friends, and other contemporary filmmakers in their category. I just see us doing some work.
I was the shadow of the waxwing slain By the false azure in the windowpane; I was the smudge of ashen fluff -and I Lived on, flew on, in the reflected sky. And from the inside, too, I'd duplicate Myself, my lamp, an apple on a plate: Uncurtaining the night, I'd let dark glass Hang all the furniture above the grass, And how delightful when a fall of snow Covered my glimpse of lawn and reached up so As to make chair and bed exactly stand Upon that snow, out in that crystal land!
What is certain is that setting a piece of nature in place and drawing it are two very different things.
Quite simply, my writing life has been one of relish, challenge, excitement.
As a viewer, the minute I start getting confused, I check out of the movie. Emotionally, I'm severed.
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