Everything is dangerous, my dear fellow. If it wasn't so, life wouldn't be worth living.
Oscar WildeRead
The bright dawn flooded the room, and swept the fantastic shadows into dusky corners, where they lay shuddering.
Interpretation
This quote describes the transformative power of light, contrasting brightness with the shadows it displaces.
Oscar Wilde's quote beautifully illustrates the interplay between light and shadow, suggesting that the arrival of dawn not only brightens a room but also reveals the hidden and fearful aspects of existence. The 'fantastic shadows' represent the unknown or the parts of our lives that may be daunting, which are confronted and pushed into the background by the bright light of dawn, symbolizing hope and new beginnings.
In practice
In a speech about overcoming adversity, I would use this quote to illustrate the power of hope.
Everything is dangerous, my dear fellow. If it wasn't so, life wouldn't be worth living.
London is too full of fogs and serious people. Whether the fogs produce the serious people, or whether the serious people produce the fogs, I don't know.
When one has never heard a man's name in the course of one's life, it speaks volumes for him; he must be quite respectable.
Men always want to be a woman's first love - women like to be a man's last romance.
A truth ceases to be true when more than one person believes in it.
His morality is all sympathy, just what morality should be
Surely it is a magical thing for a handful of words, artfully arranged, to stop time. To conjure a place, a person, a situation, in all its specificity and dimensions. To affect us and alter us, as profoundly as real people and things do.
Sometimes I see it and then paint it. Other times I paint it and then see it. Both are impure situations, and I prefer neither.
The things we truly love, the things forming the basis and roots of our being, are generally things we never look at. A huge piece of carpeting, empty and naked plains, silent and uninterrupted stretches with nothing to alter the homogeneity of their continuity. I love wide, homogenous worlds, unstaked, unlimited like the sea, like high snows, deserts, and steppes.
I'm interested in designing for posterity.
Animation is different from other parts. Its language is the language of caricature. Our most difficult job was to develop the cartoon's unnatural but seemingly natural anatomy for humans and animals.
I have no time to explain now. It is a thrilling tale, I wish to do it justice.
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