To be an artist you have to give up everything, including the desire to be a good artist.
Jasper JohnsRead
Sometimes I see it and then paint it. Other times I paint it and then see it. Both are impure situations, and I prefer neither.
Interpretation
The quote reflects the complex relationship between perception and creation in the artistic process.
Jasper Johns expresses a nuanced view of the artistic experience, highlighting the interplay between seeing and creating art. He acknowledges that sometimes an artist may perceive an image before painting it, while at other times, the act of painting leads to a new perception. Both scenarios, according to Johns, are imperfect as they blur the lines between initial inspiration and execution.
In practice
In an art class, when discussing the nature of artistic inspiration.
To be an artist you have to give up everything, including the desire to be a good artist.
The only logical thing I can think of is that I knew there were such things as artists, and I knew there were none where I lived. So I knew that to be an artist you had to be somewhere else. And I very much wanted to be somewhere else.
This image of wanting to be an artist - that I would in some way become an artist -was very strong. I knew for a long, long time that that's what I would be. But nothing I ever did seemed to bring me any nearer to the condition of being an artist. And I didn't know how to do it.
One wants one's work to be the world, but of course it's never the world. The work is in the world; it never contains the whole thing.
Sometime during the mid-50s I said, 'I am an artist.' Before that, for many years, I had said, 'I'm going to be an artist.' Then I went through a change of mind and a change of heart. What made 'going to be an artist' into 'being an artist', was, in part, a spiritual change.
Make something, a kind of object, which as it changes or falls apart (dies as it were) or increases in its parts (grows as it were) offers no clue as to what its state or form or nature was at any previous time. Physical and Metaphysical. Obstinacy. Could this be a useful object?
Most serious writers refuse to make themselves available to the things that technology is doing. I've never been able to understand this sort of fear.
I'm not trying to be sexy. It's just my way of expressing myself when I move around.
When I'm writing, I write all day. Other days, I sit around thinking. Or I run around from one meeting to another, out in the world. It varies, and I like that.
An actor entering through the door, you've got nothing. But if he enters through the window, you've got a situation.
Look, architecture has a lot of places to hide behind, a lot of excuses. "The client made me do this." "The city made me do this." "Oh, the budget." I don't believe that anymore.
Black artists are encouraged to explore their identity but are then pigeonholed according to their ethnicity. We may have seen the decline of old racism, but we are witnessing a new kind of racialising.
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