Sometimes I see it and then paint it. Other times I paint it and then see it. Both are impure situations, and I prefer neither.
Jasper JohnsRead
This image of wanting to be an artist - that I would in some way become an artist -was very strong. I knew for a long, long time that that's what I would be. But nothing I ever did seemed to bring me any nearer to the condition of being an artist. And I didn't know how to do it.
Interpretation
The quote expresses the struggle and longing of an individual to be recognized as an artist, despite feeling distant from that identity.
Jasper Johns reflects on his intense desire to become an artist, revealing the internal conflict between aspiration and the reality of not knowing how to achieve that artistic identity. He acknowledges the strength of his resolve, yet also the frustration of feeling detached from the very goals he yearns for, highlighting the complex emotional journey that often accompanies artistic ambition.
In practice
In a motivational speech about pursuing dreams in the arts.
Sometimes I see it and then paint it. Other times I paint it and then see it. Both are impure situations, and I prefer neither.
To be an artist you have to give up everything, including the desire to be a good artist.
The only logical thing I can think of is that I knew there were such things as artists, and I knew there were none where I lived. So I knew that to be an artist you had to be somewhere else. And I very much wanted to be somewhere else.
One wants one's work to be the world, but of course it's never the world. The work is in the world; it never contains the whole thing.
Sometime during the mid-50s I said, 'I am an artist.' Before that, for many years, I had said, 'I'm going to be an artist.' Then I went through a change of mind and a change of heart. What made 'going to be an artist' into 'being an artist', was, in part, a spiritual change.
Make something, a kind of object, which as it changes or falls apart (dies as it were) or increases in its parts (grows as it were) offers no clue as to what its state or form or nature was at any previous time. Physical and Metaphysical. Obstinacy. Could this be a useful object?
What I'm always trying to do with every book is to recreate the effect of the stories we heard as children in front of campfires and fireplaces - the ghost stories that engaged us.
The blood of my motherland waters a magic plant that cures all ills. That plant is art, and sometimes art needs corruption as a kind of fertilizer
What is portraiture? It's choice. It's the ability to position your body in the world for the world to celebrate you on your own terms.
But...books are so much more. Some of them are webs; you can feel your way along their threads, but just barely, into strange and dark corners. Some of them are balloons bobbing up through the sky: totally self-contained, and unreachable, but beautiful to watch. And some of them―the best ones―are doors.
In television, the 60-minute series, 'The Wire' and 'Mad Men' and so on, the writer is the primary creative artist.
I saw that my camera gave me a sense of connection with others that I never had before. It allowed me to enter lives, satisfying a curiosity that was always there but that was never explored before.
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