I was always the first person in the theater all the time. If it was an eight-o'clock curtain, I was here at five-thirty, and it wasn't that I needed to vocalize, because I was all warmed up. I couldn't wait for it to begin.
Beverly SillsRead
I began by listening to my mother's collection of Amelita Galli-Curci and Lily Pons records, and then was taken (at age eight) to hear Pons at a Met performance of Lakme. It was at that moment that I decided to become an opera star. Not just an opera singer, but an opera star!
Interpretation
The quote portrays the transformative impact of early exposure to music on an individual's aspirations.
In this quote, Beverly Sills reflects on her childhood experience of being introduced to the world of opera through her mother's records and a live performance. This formative moment ignited her passion and led her to aspire not merely to sing but to achieve stardom in the opera world, highlighting how profound experiences can shape one's dreams and career paths.
In practice
Using this quote during a speech on the importance of arts education in schools.
I was always the first person in the theater all the time. If it was an eight-o'clock curtain, I was here at five-thirty, and it wasn't that I needed to vocalize, because I was all warmed up. I couldn't wait for it to begin.
A primary function of art and thought is to liberate the individual from the tyranny of his culture in the environmental sense and to permit him to stand beyond it in an autonomy of perception and judgment.
I lived through the garbage. I might as well dine on the caviar.
There is no shortcut to anyplace worth going.
I had found a kind of serenity, a new maturity. I didn't feel better or stronger than anyone else but it seemed no longer important whether everyone loved me or not - more important now was for me to love them. Feeling that way turns your whole life around; living becomes the act of giving.
Music is, for me, like a beautiful mosaic which God has put together. He takes all the pieces in his hand, throws them into the world, and we have to recreate the picture from the pieces.
Design is inherently optimistic. That is its power.
A movie is made for an audience and a film is made for both the audience and the film-makers. I think that The Game is a movie and I think Fight Club's a film. I think that Fight Club is more than the sum of its parts, whereas Panic Room is the sum of its parts. I didn't look at Panic Room and think, "Wow, this is gonna set the world on fire". These are footnote movies, guilty pleasure movies. Thrillers. Woman-trapped-in-a-house movies. They're not particularly important.
Little events, ordinary things, smashed and reconstituted. Suddenly, they become the bleached bones of a story.
I always thought I'd eventually learn how to draw really well, and despite constant evidence to the contrary, I just kept on trying. If you're too good at anything, you don't have to think about the process, whereas I feel like I spend my life with my head under the bonnet, trying to understand how everything works.
Why should a novelist not also be a historian? To force unnatural divisions within the English language is to work against its capacious and accommodating nature. To expect a writer to produce only novels, or only histories, is equivalent to demanding from a composer that he or she write only string quartets or piano sonatas.
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