In comparison to other women in the world, perhaps I'm seen as smaller. But I've never had a problem thinking of myself as a large woman.
Frances McdormandRead
It's kind of a subversive act to tell a story of a woman past a certain age, to develop a four-hour movie based on a marriage and a story of two people past middle age.
Interpretation
This quote highlights the importance of telling stories about women and relationships later in life, challenging societal norms.
Frances McDormand emphasizes the significance of representing women and narratives that explore marriage and relationships beyond middle age, which often go overlooked in mainstream media. By creating a lengthy film focused on these subjects, she underscores the necessity of acknowledging diverse experiences, thus encouraging broader conversations about age, gender, and storytelling in the film industry.
In practice
In a panel discussion about female representation in cinema, this quote can highlight the need for diverse narratives.
In comparison to other women in the world, perhaps I'm seen as smaller. But I've never had a problem thinking of myself as a large woman.
It's a scary thing going into the workforce with a $50,000 debt and you've been trained as a classical theatre actor. There's always a depression in the theatre.
That's another great thing about getting older. Your life is written on your face.
There's only two givens with choosing acting as a profession: one is you will always be unemployed, always, and it doesn't matter how much money you make, you're still always going to be unemployed; and that you have no power.
Female characters in literature are full. They're messy: they've got runny noses and burp and belch. Unfortunately, in film, female characters don't often have that kind of richness.
My feminist training was that this was your goal, to be a self-sufficient woman, but that is a miscalculation. It's just not the way we work. We work in dialogue with the community.
...And, all at once, the moon arouse through the thin ghastly mist, And was crimson in color... And they lynx which dwelleth forever in the tomb, came out therefrom. And lay down at the feet of the demon. And looked at him steadily in the face.
One of the things I had to learn as a writer was to trust the act of writing. To put myself in the position of writing to find out what I was writing. I did that with 'World's Fair,' as with all of them. The inventions of the book come as discoveries.
The honors Hollywood has for the writer are as dubious as tissue-paper cuff links.
I'm trying to figure out if I love art enough to be poor.
I hope there is something worthy in my writings and not merely the novelty of a black face associated with the power to rhyme that has attracted attention.
This industry should behave like a mother whose child has just run out in front of a car. But instead of clasping the child to them, they start punishing the child. Like you don't dare get a cold. How dare you get a cold! I mean, the executives can get colds and stay home forever and phone it in, but how dare you, the actor, get a cold or a virus. You know, no one feels worse than the one who's sick. I sometimes wish, gee, I wish they had to act a comedy with a temperature and a virus infection.
Subscribe for the occasional hand-picked quote. No noise.