In comparison to other women in the world, perhaps I'm seen as smaller. But I've never had a problem thinking of myself as a large woman.
Frances McdormandRead
It's kind of a subversive act to tell a story of a woman past a certain age, to develop a four-hour movie based on a marriage and a story of two people past middle age.
Interpretation
This quote highlights the importance of telling stories about women and relationships later in life, challenging societal norms.
Frances McDormand emphasizes the significance of representing women and narratives that explore marriage and relationships beyond middle age, which often go overlooked in mainstream media. By creating a lengthy film focused on these subjects, she underscores the necessity of acknowledging diverse experiences, thus encouraging broader conversations about age, gender, and storytelling in the film industry.
In practice
In a panel discussion about female representation in cinema, this quote can highlight the need for diverse narratives.
In comparison to other women in the world, perhaps I'm seen as smaller. But I've never had a problem thinking of myself as a large woman.
It's a scary thing going into the workforce with a $50,000 debt and you've been trained as a classical theatre actor. There's always a depression in the theatre.
That's another great thing about getting older. Your life is written on your face.
There's only two givens with choosing acting as a profession: one is you will always be unemployed, always, and it doesn't matter how much money you make, you're still always going to be unemployed; and that you have no power.
Female characters in literature are full. They're messy: they've got runny noses and burp and belch. Unfortunately, in film, female characters don't often have that kind of richness.
My feminist training was that this was your goal, to be a self-sufficient woman, but that is a miscalculation. It's just not the way we work. We work in dialogue with the community.
But if a stranger in the train asks me my occupation, I never answer "writer" for fear that he may go on to ask me what I write, and to answer "poetry" would embarrass us both, for we both know that nobody can earn a living simply by writing poetry.
The power of music to integrate and cure. . . is quite fundamental. It is the profoundest nonchemical medication.
To the poet fated to be a poet, self-expression is as natural and as involuntary as breathing is to us ordinary mortals.
Dance is not endangered - it will always find a way to express itself.
In my career as a director, there's always been some point where you get halfway through it, or three-quarters, and you go: 'What is this thing all about, and why am I telling the story? Does anybody really care about seeing this?' At that time you have to say: 'OK, forget that and just go ahead.'
The painter should not paint what he sees, but what will be seen.
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