One of the advantages of travelling the world is that you get to know the world broadly. And one of the advantages of staying in one place is that you get to know the world deeply.
Alan MooreRead
That pompous phrase (graphic novel) was thought up by some idiot in the marketing department of DC. I prefer to call them Big Expensive Comics.
Interpretation
Alan Moore critiques the marketing terminology used in comics, emphasizing the disconnect between commercialism and artistic integrity.
In this quote, Alan Moore expresses his disdain for the commercialized language used in the comic book industry, specifically referring to the term 'graphic novel' as a pretentious label created by marketers. He redefines the genre in a more straightforward way by calling it 'Big Expensive Comics,' pointing out that such marketing phrases can often overshadow the true artistic nature of the work and underscore the commercialization of art.
In practice
During a panel discussion on comic book marketing strategies.
One of the advantages of travelling the world is that you get to know the world broadly. And one of the advantages of staying in one place is that you get to know the world deeply.
The only reality we can ever truly know is that of our perceptions, our own consciousness, while that consciousness, and thus our entire reality, is made of nothing but signs and symbols. Nothing but language. Even God requires language before conceiving the Universe. See Genesis: βIn the beginning was the Word.
My main point about films is that I don't like the adaptation process, and I particularly don't like the modern way of comic book-film adaptations, where, essentially, the central characters are just franchises that can be worked endlessly to no apparent point.
The magician to some degree is trying to drive him or herself mad in a controlled setting, within controlled laws.
When I was working upon the ABC books, I wanted to show different ways that mainstream comics could viably have gone, that they didn't have to follow 'Watchmen' and the other 1980s books down this relentlessly dark route. It was never my intention to start a trend for darkness. I'm not a particularly dark individual.
Love your rage, not your cage.
Madness is the absolute break with the work of art; it forms the constitutive moment of abolition, which dissolves in time the truth of the work of art.
Writing fantasy lets me imagine a great deal more than, say, writing about alligators, and lets me write about places more distant than Florida, but I can tell you things about Florida and alligators, let you make the connection all on your own.
I ain't never far away from a pencil and paper or a tape recorder.
The main reason for rewriting is not to achieve a smooth surface, but to discover the inner truth of your characters.
You act in a movie, and at the end of the day, the director and editor decide what your performance is.
To say that "the camera cannot lie" is merely to underline the multiple deceits that are now practised in its name.
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