One of the advantages of travelling the world is that you get to know the world broadly. And one of the advantages of staying in one place is that you get to know the world deeply.
Alan MooreRead
That pompous phrase (graphic novel) was thought up by some idiot in the marketing department of DC. I prefer to call them Big Expensive Comics.
Interpretation
Alan Moore critiques the marketing terminology used in comics, emphasizing the disconnect between commercialism and artistic integrity.
In this quote, Alan Moore expresses his disdain for the commercialized language used in the comic book industry, specifically referring to the term 'graphic novel' as a pretentious label created by marketers. He redefines the genre in a more straightforward way by calling it 'Big Expensive Comics,' pointing out that such marketing phrases can often overshadow the true artistic nature of the work and underscore the commercialization of art.
In practice
During a panel discussion on comic book marketing strategies.
One of the advantages of travelling the world is that you get to know the world broadly. And one of the advantages of staying in one place is that you get to know the world deeply.
The only reality we can ever truly know is that of our perceptions, our own consciousness, while that consciousness, and thus our entire reality, is made of nothing but signs and symbols. Nothing but language. Even God requires language before conceiving the Universe. See Genesis: βIn the beginning was the Word.
My main point about films is that I don't like the adaptation process, and I particularly don't like the modern way of comic book-film adaptations, where, essentially, the central characters are just franchises that can be worked endlessly to no apparent point.
The magician to some degree is trying to drive him or herself mad in a controlled setting, within controlled laws.
When I was working upon the ABC books, I wanted to show different ways that mainstream comics could viably have gone, that they didn't have to follow 'Watchmen' and the other 1980s books down this relentlessly dark route. It was never my intention to start a trend for darkness. I'm not a particularly dark individual.
Love your rage, not your cage.
All of my knowledge, of both science and religion, I incorporate into the classical tradition of my painting.
Most of us do not consciously look at movies.
I feel I'm all over my movies. I know my movies are all over me.
The arts and inventions of each period are only its costume, and do not invigorate men.
Teaism is a cult founded on the adoration of the beautiful among the sordid facts of everyday existence. It inculcates purity and harmony, the mystery of mutual charity, the romanticism of the social order.
For me painting is a dramatic action in the course of which reality finds itself split apart
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