One of the advantages of travelling the world is that you get to know the world broadly. And one of the advantages of staying in one place is that you get to know the world deeply.
Alan MooreRead
My main point about films is that I don't like the adaptation process, and I particularly don't like the modern way of comic book-film adaptations, where, essentially, the central characters are just franchises that can be worked endlessly to no apparent point.
Interpretation
Alan Moore expresses disdain for modern comic book adaptations, viewing them as profit-driven franchises rather than meaningful stories.
In this quote, Alan Moore criticizes the trend of turning comic book characters into mere franchises for commercial gain, rather than focusing on storytelling and character development. He argues that this approach lacks depth and purpose, reducing complex characters to simple marketing tools that can be exploited without any significant narrative or artistic value.
In practice
During a film discussion panel focusing on creativity, this quote can highlight the pitfalls of commercial film adaptations.
One of the advantages of travelling the world is that you get to know the world broadly. And one of the advantages of staying in one place is that you get to know the world deeply.
The only reality we can ever truly know is that of our perceptions, our own consciousness, while that consciousness, and thus our entire reality, is made of nothing but signs and symbols. Nothing but language. Even God requires language before conceiving the Universe. See Genesis: “In the beginning was the Word.
The magician to some degree is trying to drive him or herself mad in a controlled setting, within controlled laws.
When I was working upon the ABC books, I wanted to show different ways that mainstream comics could viably have gone, that they didn't have to follow 'Watchmen' and the other 1980s books down this relentlessly dark route. It was never my intention to start a trend for darkness. I'm not a particularly dark individual.
Love your rage, not your cage.
It does not do to rely too much on silent majorities, Evey, for silence is a fragile thing, one loud noise, and its gone. But the people are so cowed and disorganised. A few might take the opportunity to protest, but it'll just be a voice crying in the wilderness. Noise is relative to the silence preceding it. The more absolute the hush, the more shocking the thunderclap. Our masters have not heard the people's voice for generations, Evey and it is much, much louder than they care to remember.
What makes international cinema so interesting is that each territory has its own sensibility. When you look at an Indian or French film, there's a certain flavor. And even though the language is different, if the film is successful, it has something very common and understandable.
I would drive to gigs in my tiny little Fiat. I would shoot up and down the M1 to play at various places.
I come from a little island with the Caribbean Sea on one side and the Atlantic Ocean on the other. I come from, really, nowhere, and for me, the fiction and the nonfiction, creative or otherwise, all come from the same place.
I keep the drafts of each poem in color-coded folders. I pick up the folders according to how I feel about that color that day.
My concern has always been to paint nudes as if they were some splendid fruit.
When you're a performer, of course you want an audience, but it's very, very different from courting fame.
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