Science is history arranged according to the superstition and taste of the moment. The vocabulary of scholars has no wit, no salt. These heavy tomes have no soul, they are filled with distress.
Blaise CendrarsRead
Writing is to descend like a miner to the depths of the mine with a lamp on your forehead, a light whose dubious brightness falsifies everything, whose wick is in permanent danger of explosion, whose blinking illumination in the coal dust exhausts and corrodes your eyes.
Interpretation
Writing requires deep exploration and often presents a distorted view of reality.
In this quote, Blaise Cendrars compares writing to the perilous task of mining, emphasizing the challenges and risks involved in the creative process. The metaphor suggests that while writing can provide insight and illumination, it also comes with the potential for misrepresentation and the struggle against fatigue and danger, much like a miner faces with his lamp in the dark depths of a mine.
In practice
In a creative writing workshop to inspire students.
Science is history arranged according to the superstition and taste of the moment. The vocabulary of scholars has no wit, no salt. These heavy tomes have no soul, they are filled with distress.
My poor life This shawl Frayed on strongboxes full of gold I roll along with Dream And smoke And the only flame in the universe
Only a soul full of despair can ever attain serenity and, to be in despair, you must have loved a good deal and still love the world.
I'm not an extraordinary worker, I'm an extraordinary daydreamer. I exceed all my fantasies-even that of writing.
One's life, from being an exterior thing, grows inwards. Its intensity stays the same; and, d'you know, it's most mysterious, the corners in which the joy of living can sometimes hide away.
The funniest thing is that all the things every director goes through, I thought I could shortcut, but there was no getting around those issues.
In business sharp practice sometimes succeeds, but in art honesty is not only the best but the only policy.
Writing a book has about it some of the anxiety of telling a joke and having to wait several years to know whether or not it was funny.
I just like art. I get pure pleasure from it. I have a lot of wonderful paintings, and every time I look at them I see something different.
Something in me was responding now as the audience responded, not in fear, but in some human way, to the magic of that fragile painted set, the mystery of the lighted world there.
I only know how to approach a place by walking. For what does a street photographer do but walk and watch and wait and talk, and then watch and wait some more, trying to remain confident that the unexpected, the unknown, or the secret heat of the known awaits just around the corner.
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