If one harbours anywhere in one's mind a nationalistic loyalty or hatred, certain facts, although in a sense known to be true, are inadmissible.
George OrwellRead
For a creative writer possession of the 'truth' is less important than emotional sincerity.
Interpretation
Emotional authenticity is more valuable than factual accuracy for a writer.
George Orwell emphasizes that for creative writers, the emotional truth of their writing carries more weight than simply adhering to factual truth. This highlights the importance of conveying feelings and connections in storytelling, suggesting that sincere expression can resonate more deeply with readers than a strict presentation of reality.
In practice
This quote can inspire a group of aspiring writers during a creative workshop.
If one harbours anywhere in one's mind a nationalistic loyalty or hatred, certain facts, although in a sense known to be true, are inadmissible.
The creatures outside looked from pig to man, and from man to pig, and from pig to man again; but already it was impossible to say which was which.
Political writing in our time consists almost entirely of prefabricated phrases bolted together like the pieces of a child's Meccano set. It is the unavoidable result of self-censorship. To write in plain, vigorous language one has to think fearlessly, and if one thinks fearlessly one cannot be politically orthodox.
Not to expose your true feelings to an adult seems to be instinctive from the age of seven or eight onwards.
As with the Christian religion, the worst advertisement for Socialism is its adherents.
It is fatal to look hungry. It makes people want to kick you.
To write honestly and with all our powers is the least we can do, and the most.
In 'Roma,' I wanted to get across the idea that underneath Rome today is ancient Rome. So close. I am always conscious of that, and it thrills me. Imagine being in a traffic jam at the Coliseum! Rome is the most wonderful movie set in the world... As was the case with many of my film ideas, it was inspired by a dream.
The pen is the language of the soul; as the concepts that in it are generated, such will be its writings.
When one wants to write, one writes. If one is condemned to write, one writes.
In America, the photographer is not simply the person who records the past, but the one who invents it.
It's into the same bag as E.T. and Yoda, wherein you're trying to create something that people will actually believe, but it's not so much a symbol of the thing, but you're trying to do the thing itself.
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