The great thing about performance capture is you can go off, and then, without changing costume, you can become another character.
Andy SerkisRead
In performance capture roles, it's not a committee of animators that author the role, it's the actor. I think that's a significant thing for people to understand.
Interpretation
The role of an actor is crucial in performance capture, overshadowing the contribution of animators.
Andy Serkis emphasizes the importance of the actor in performance capture roles, suggesting that the authenticity and emotion of the character come primarily from the actor's performance rather than the animation or input of a team of animators. This highlights the unique contribution that actors make in bringing characters to life in a digital medium, showcasing their talent and creative input as foundational to the resulting performance.
In practice
In discussions about the impact of technology on acting, this quote can illustrate the importance of the actor's craft.
The great thing about performance capture is you can go off, and then, without changing costume, you can become another character.
If you are not moved by the character, no amount of CGI will give you a performance that is emotionally engaging or devastating - what a live-action performance does.
As long as you have the acting chops and the desire to get inside a character, you can play anything.
But that's not what an actor does. An actor finds things in the moment with a director and other actors that you don't have time to hand-draw or animate with a computer.
People find it hard to get their heads around nominating a computer-generated character, but every time you see Gollum on the screen, that's me who is acting up there - even if it is behind a mass of pixels - and it's my voice you hear.
So while our art cannot, as we wish it could, save us from wars, privation, envy, greed, old age, or death, it can revitalize us amidst it all.
O wonderful, wonderful, and most wonderful wonderful! And yet again wonderful, and after that, out of all hooping.
Hip-hop was created out of necessity. We needed to create some digitized things to help us understand what we were feeling.
I realized with Broadway everything written for black people is usually written in the past, and I'm kind of a contemporary guy. I don't think you want to see me in 'Raisin in the Sun'.
The impulse to write things down is a peculiarly compulsive one, inexplicable to those who do not share it, useful only accidentally, only secondarily, in the way that any compulsion tries to justify itself. I suppose that it begins or does not begin in the cradle.
But I lie. I embellish. My words are not deep enough. They disguise, they conceal. I will not rest until I have told of my descent into a sensuality which was as dark, as magnificent, as wild, as my moments of mystic creation have been dazzling, ecstatic, exalted.
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