In performance capture roles, it's not a committee of animators that author the role, it's the actor. I think that's a significant thing for people to understand.
Andy SerkisRead
People find it hard to get their heads around nominating a computer-generated character, but every time you see Gollum on the screen, that's me who is acting up there - even if it is behind a mass of pixels - and it's my voice you hear.
Interpretation
This quote emphasizes the challenge of recognizing the human effort behind computer-generated characters in film.
Andy Serkis reflects on the difficulty that audiences have in acknowledging the artistry of voice acting and motion capture for characters like Gollum. He highlights that despite the digital nature of the character, his performance and voice are integral parts of the character’s representation, blending human talent with advanced technology.
In practice
This quote can be used in discussions about the evolution of film and animation.
In performance capture roles, it's not a committee of animators that author the role, it's the actor. I think that's a significant thing for people to understand.
The great thing about performance capture is you can go off, and then, without changing costume, you can become another character.
If you are not moved by the character, no amount of CGI will give you a performance that is emotionally engaging or devastating - what a live-action performance does.
As long as you have the acting chops and the desire to get inside a character, you can play anything.
But that's not what an actor does. An actor finds things in the moment with a director and other actors that you don't have time to hand-draw or animate with a computer.
Human beings love poetry. They don't even know it sometimes... whether they're the songs of Bono, or the songs of Justin Bieber... they're listening to poetry.
They arose in my mind as 'given' things, and as they came, separately, so too the links grew. An absorbing, though continually interrupted labour (especially, even apart from the necessities of life, since the mind would wing to the other pole and spread itself on the linguistics): yet always I had the sense of recording what was already 'there', somewhere: not of 'inventing'.
To write honestly and with all our powers is the least we can do, and the most.
Photography has always reminded me of the second child.. trying to prove itself. The fact that it wasn't really considered an art.. that it was considered a craft.. has trapped almost every serious photographer.
When I first heard the minstrel banjo - I played a gourd first - I almost lost my mind. I was like, Oh, my god. And then I went to Africa, to the Gambia, and studied the akonting, which is an ancestor of the banjo, and just that connection to me was just immense.
Music in movies is all about dissonance and consonance, tension and release.
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