In performance capture roles, it's not a committee of animators that author the role, it's the actor. I think that's a significant thing for people to understand.
Andy SerkisRead
If you are not moved by the character, no amount of CGI will give you a performance that is emotionally engaging or devastating - what a live-action performance does.
Interpretation
The essence of a performance lies in the actor's character portrayal rather than in visual effects.
Andy Serkis emphasizes the importance of an actor's ability to embody a character in a way that resonates emotionally with the audience. No matter how advanced the technology or CGI may be, it cannot replace the depth and connection that comes from a powerful live-action performance rooted in genuine character interpretation.
In practice
During a film discussion, one might reference this quote to highlight the importance of acting in storytelling.
In performance capture roles, it's not a committee of animators that author the role, it's the actor. I think that's a significant thing for people to understand.
The great thing about performance capture is you can go off, and then, without changing costume, you can become another character.
As long as you have the acting chops and the desire to get inside a character, you can play anything.
But that's not what an actor does. An actor finds things in the moment with a director and other actors that you don't have time to hand-draw or animate with a computer.
People find it hard to get their heads around nominating a computer-generated character, but every time you see Gollum on the screen, that's me who is acting up there - even if it is behind a mass of pixels - and it's my voice you hear.
I have offered myself to the inkwell of the wordsmith that I might be shaped into new terms of being.
I talk about life, and I make universal music with an American style - and that's what I do.
It's a gamble you take, the risk of alienating an audience. But there's a theory - sometimes it's better to confuse them for five minutes than let them get ahead of you for 10 seconds.
I'd love to just think of myself as a filmmaker, and I wait for the day when the modifier can be a moot point.
The photographer's most important and likewise most difficult task is not learning to manage his camera, or to develop, or to print. It is learning to see photographically — that is, learning to see his subject matter in terms of the capacities of his tools and processes, so that he can instantaneously translate the elements and values in a scene before him into the photograph he wants to make.
It is the writer’s job to make the play interesting. It is the actor’s job to make the performance truthful.
Subscribe for the occasional hand-picked quote. No noise.