The camera sees more than the eye, so why not make use of it?
Edward WestonRead
The photographer's most important and likewise most difficult task is not learning to manage his camera, or to develop, or to print. It is learning to see photographically β that is, learning to see his subject matter in terms of the capacities of his tools and processes, so that he can instantaneously translate the elements and values in a scene before him into the photograph he wants to make.
Interpretation
The essence of photography lies in the ability to perceive and capture the world through the lens, not just in technical skills.
Edward Weston emphasizes that a photographer's primary challenge is not merely mastering the camera or its technical functions but rather developing the ability to see the world in a way that allows for meaningful photographic expression. This involves understanding how to interpret the scene through the capabilities of photographic tools, enabling the photographer to translate their vision into tangible images.
In practice
In a photography workshop, this quote can inspire students to focus on their vision rather than just technical skills.
The camera sees more than the eye, so why not make use of it?
The photograph isolates and perpetuates a moment of time: an important and revealing moment, or an unimportant and meaningless one, depending upon the photographer's understanding of his subject and mastery of his process.
Why limit yourself to what your eyes see when you have an opportunity to extend your vision?
Consulting the rules of composition before taking a photograph, is like consulting the laws of gravity before going for a walk.
I start with no preconceived idea - discovery excites me to focus - then rediscovery through the lens - final form of presentation seen on ground glass, the finished print previsioned completely in every detail of texture, movement, proportion, before exposure - the shutter's release automatically and finally fixes my conception, allowing no after manipulation - the ultimate end, the print, is but a duplication of all that I saw and felt through my camera.
People who wouldn't think of taking a sieve to the well to draw water fail to see the folly in taking a camera to make a painting.
In any society, the artist has a responsibility. His effectiveness is certainly limited and a painter or writer cannot change the world. But they can keep an essential margin of non-conformity alive. Thanks to them the powerful can never affirm that everyone agrees with their acts. That small difference is important.
I like my music with the rinds and the seeds and pulp left in.
Every time Jimmy Scott sings, it's the same but slightly different. I don't know how he does that or where he gets that from. I think it's instinct. Nothing he does is by chance; he's in complete control of what he's doing. He's just beautiful and unique.
Art, especially the stage, is an area where it is impossible to walk without stumbling.
I loved working when I worked at commercial art and they told you what to do and how to do it and all you had to do was correct it and they'd say yes or no. The hard thing is when you have to dream up the tasteless things to do on your own.
The most important thing is that you honor that musical integrity, whether you make music that sounds like ABBA or you make music that sounds like Void.
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