The camera sees more than the eye, so why not make use of it?
Edward WestonRead
The photographer's most important and likewise most difficult task is not learning to manage his camera, or to develop, or to print. It is learning to see photographically — that is, learning to see his subject matter in terms of the capacities of his tools and processes, so that he can instantaneously translate the elements and values in a scene before him into the photograph he wants to make.
Interpretation
The essence of photography lies in the ability to perceive and capture the world through the lens, not just in technical skills.
Edward Weston emphasizes that a photographer's primary challenge is not merely mastering the camera or its technical functions but rather developing the ability to see the world in a way that allows for meaningful photographic expression. This involves understanding how to interpret the scene through the capabilities of photographic tools, enabling the photographer to translate their vision into tangible images.
In practice
In a photography workshop, this quote can inspire students to focus on their vision rather than just technical skills.
The camera sees more than the eye, so why not make use of it?
The photograph isolates and perpetuates a moment of time: an important and revealing moment, or an unimportant and meaningless one, depending upon the photographer's understanding of his subject and mastery of his process.
Why limit yourself to what your eyes see when you have an opportunity to extend your vision?
Consulting the rules of composition before taking a photograph, is like consulting the laws of gravity before going for a walk.
I start with no preconceived idea - discovery excites me to focus - then rediscovery through the lens - final form of presentation seen on ground glass, the finished print previsioned completely in every detail of texture, movement, proportion, before exposure - the shutter's release automatically and finally fixes my conception, allowing no after manipulation - the ultimate end, the print, is but a duplication of all that I saw and felt through my camera.
People who wouldn't think of taking a sieve to the well to draw water fail to see the folly in taking a camera to make a painting.
A minute of perfection was worth the effort. A moment was the most you could ever expect from perfection.
If they would, for Example, praise the Beauty of a Woman, or any other Animal, they describe it by Rhombs, Circles, Parallelograms, Ellipses, and other geometrical terms.
I had given up ( around 1950, fh) any ambition of making a career as an artist…..I had lost all interest in the art shown in galleries and museums, and I no longer aspired to fit in that world. I loved the paintings done by children, and my only desire was to do the same for my own pleasure.
Creation comes before distribution -- or there will be nothing to distribute.
Jacques Tati is the great philosophical tinkerer of comedy, taking meticulous care to arrange his films so that they unfold in a series of revelations and effortless delights.
The film is made in the editing room. The shooting of the film is about shopping, almost. It's like going to get all the ingredients together, and you've got to make sure before you leave the store that you got all the ingredients. And then you take those ingredients and you can make a good cake - or not.
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