How is it possible to expect that mankind will take advice when they will not so much as take warning.
Jonathan SwiftRead
If they would, for Example, praise the Beauty of a Woman, or any other Animal, they describe it by Rhombs, Circles, Parallelograms, Ellipses, and other geometrical terms.
Interpretation
The quote suggests that people often use abstract or technical language to describe beauty rather than appreciating it directly.
Jonathan Swift's quote highlights how the beauty of a woman, or nature in general, is frequently analyzed and expressed through complex geometrical terms instead of simple admiration. This reflects a tendency to overcomplicate what is inherently beautiful, emphasizing a disconnect between understanding and experiencing beauty.
In practice
In a discussion about the representation of beauty in art critiques.
How is it possible to expect that mankind will take advice when they will not so much as take warning.
What vexes me most is, that my female friends, who could bear me very well a dozen years ago, have now forsaken me, although I am not so old in proportion to them as I formerly was: which I can prove by arithmetic, for then I was double their age, which now I am not. Letter to Alexander Pope. 7 Feb. 1736.
This is every cook's opinion - _x000D_ no savory dish without an onion, _x000D_ but lest your kissing should be spoiled _x000D_ your onions must be fully boiled.
The bulk of mankind is as well equipped for flying as thinking.
This single Stick, which you now behold ingloriously lying in that neglected Corner, I once knew in a flourishing State in a Forest: It was full of Sap, full of Leaves, and full of Boughs: But now, in vain does the busy Art of Man pretend to vie with Nature, by tying that withered Bundle of Twigs to its sapless Trunk: It is at best but the Reverse of what it was; a Tree turned upside down, the Branches on the Earth, and the Root in the Air.
I'm as old as my tongue and a little older than my teeth.
I have a deep-seated distrust and even contempt for people who are driven by ambition to conquer the world β¦ those who cannot control themselves and produce vast amounts of crap that no one cares about. I find it unattractive. I like the Zen artists: theyβd do some work, and then theyβd stop for a while.
In literature imitations do not imitate.
Poems infatuated with their own smarts and detached from any emotional grounding can leave the reader feeling lonely, empty and ashamed for having expected more. Like icy adolescents, such poetry is more interested in commiserating than acknowledging that feelings β the sentiments that make us susceptible to sentimentality β actually exist.
Art comes from joy and pain...But mostly from pain.
I was glamorous because of magicians like George Folsey, James Wong Howe, Oliver Marsh, Ray June, and all those other great cinematographers. I trusted those men and the other experts who made us beautiful. The rest of it I didn't give a damn about. I didn't fuss about my clothes, my lighting, or anything else, but, believe me, some of them did.
In a way, editing is not unlike the movies. The best books, just like the best movies, are a collaboration. They're only as good as the compromise made between the artists involved.
Subscribe for the occasional hand-picked quote. No noise.