I never enjoyed my work more than when I worked with William Powell. He was a brilliant actor, a delightful companion, a great friend and, above all, a true gentleman.
Myrna LoyRead
I was glamorous because of magicians like George Folsey, James Wong Howe, Oliver Marsh, Ray June, and all those other great cinematographers. I trusted those men and the other experts who made us beautiful. The rest of it I didn't give a damn about. I didn't fuss about my clothes, my lighting, or anything else, but, believe me, some of them did.
Interpretation
The quote reflects the importance of collaboration and trust in the creative process, especially in filmmaking.
Myrna Loy emphasizes the role of cinematographers and other experts in enhancing the beauty of a film, pointing out that her glamour was a product of their skillful work. She implies that true artists focus on their craft and trust others in their roles, suggesting that collaboration is key to creating art that resonates.
In practice
This quote can be used in discussions about teamwork in the film industry.
I never enjoyed my work more than when I worked with William Powell. He was a brilliant actor, a delightful companion, a great friend and, above all, a true gentleman.
I am involved in the architecture of space.
The reviewer always has hold of the wrong horror.
I've always seen writing as a way of telling the truth. For me, writing is about truth. I have always tried to be faithful to my own experience.
In other words, I wouldn't like to be an actor if I could only be real. I like to get wild, behaviorally wild, and it's crazy to think of any form where it's just one way.
Doubtless criticism was originally benignant, pointing out the beauties of a work rather that its defects. The passions of men have made it malignant, as a bad heart of Procreates turned the bed, the symbol of repose, into an instrument of torture.
Dancers today can do anything; the technique is phenomenal. The passion and the meaning to their movement can be another thing.
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