But I'd be lying if I didn't say that every time you go to make a film, you're desperate to either do it better than you did it last time or to not repeat yourself.
Paul Thomas AndersonRead
It's a gamble you take, the risk of alienating an audience. But there's a theory - sometimes it's better to confuse them for five minutes than let them get ahead of you for 10 seconds.
Interpretation
Taking creative risks can alienate some people, but sometimes it's worth it to challenge the audience's expectations.
This quote by Paul Thomas Anderson emphasizes the importance of taking risks in creative endeavors, particularly in filmmaking. It suggests that while there is a danger in confusing the audience, it can ultimately be more beneficial to challenge them momentarily than to simply cater to their expectations, which may not pose a meaningful engagement with the work.
In practice
This quote could be used in a film discussion to illustrate the importance of creative risks.
But I'd be lying if I didn't say that every time you go to make a film, you're desperate to either do it better than you did it last time or to not repeat yourself.
No matter how many times you do it, you don't get used to the sadness - for me at least - of coming to the end of a film.
I really subscribe to that old adage that you should never let the audience get ahead of you for a second. So if the film's abrasive and wrongfoots people then, y'know, that's great. But I hope it involves an audience.
My filmmaking education consisted of finding out what filmmakers I liked were watching, then seeing those films. I learned the technical stuff from books and magazines, and with the new technology you can watch entire movies accompanied by audio commentary from the director. You can learn more from John Sturges' audio track on the 'Bad Day at Black Rock' laserdisc than you can in 20 years of film school. Film school is a complete con, because the information is there if you want it.
I always had a dream about trying to make a movie that had no dialogue in it, that was just music and pictures. I still haven't done it yet, but I tried to get close in the beginning.
We’re all children of Kubrick, aren’t we? Is there anything you can do that he hasn’t done?
How you act, walk, look and talk is all part of Hip Hop culture. And the music is colorless. Hip Hop music is made from Black, brown, yellow, red and white.
It doesn't bother me when people try to deconstruct my songs - because at least they're looking at the lyrics, and paying attention to the way the story is told.
I don't care about being a pioneer. People act like it would be cool to be a pioneer. I'm okay to be looked at as that, but it's just that we don't get transmitted our cultural heritage as women artists.
In my experience, as a young black artist, you have to fulfill an archetype, or be a token - and I was unwilling to do that.
There is an urgent need for Americans to look deeply into themselves and their actions, and musical poetry is perhaps the most effective mirror available. Every newspaper headline is a potential song.
Writing is a job, a talent, but it's also the place to go in your head. It is the imaginary friend you drink your tea with in the afternoon.
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