But I'd be lying if I didn't say that every time you go to make a film, you're desperate to either do it better than you did it last time or to not repeat yourself.
Paul Thomas AndersonRead
I always had a dream about trying to make a movie that had no dialogue in it, that was just music and pictures. I still haven't done it yet, but I tried to get close in the beginning.
Interpretation
This quote expresses the dream of creating a film that relies solely on visuals and music, without dialogue.
Paul Thomas Anderson reflects on his aspiration to create a unique cinematic experience that conveys emotion and storytelling purely through imagery and music, illustrating the power of visual art to communicate without the need for words. Although he has not yet achieved this goal, his pursuit shows a deep appreciation for the artistic potential of film beyond traditional narrative forms.
In practice
In a discussion about innovative filmmaking techniques.
But I'd be lying if I didn't say that every time you go to make a film, you're desperate to either do it better than you did it last time or to not repeat yourself.
No matter how many times you do it, you don't get used to the sadness - for me at least - of coming to the end of a film.
I really subscribe to that old adage that you should never let the audience get ahead of you for a second. So if the film's abrasive and wrongfoots people then, y'know, that's great. But I hope it involves an audience.
My filmmaking education consisted of finding out what filmmakers I liked were watching, then seeing those films. I learned the technical stuff from books and magazines, and with the new technology you can watch entire movies accompanied by audio commentary from the director. You can learn more from John Sturges' audio track on the 'Bad Day at Black Rock' laserdisc than you can in 20 years of film school. Film school is a complete con, because the information is there if you want it.
It's a gamble you take, the risk of alienating an audience. But there's a theory - sometimes it's better to confuse them for five minutes than let them get ahead of you for 10 seconds.
We’re all children of Kubrick, aren’t we? Is there anything you can do that he hasn’t done?
The art, the greatness of the music, the experience of the music is what I'm about. I think most African artists have destroyed their artistry by commercialization, and I don't want to belong to that bag.
This is where you see the truth of entertainment, because it is not edited. You see it on stage as it is happening. Even if we fall down or forget our words, it's a part of live entertainment.
The dance, just as the performance of the actor, is kinesthetic art, art of the muscle sense. The awareness of tension and relaxation within his own body, the sense of balance that distinguishes the proud stability of the vertical from the risky adventures of thrusting and falling--these are the tools of the dancer.
I would rather do a good hours work weeding than write two pages of my best; nothing is so interesting as weeding. I went crazy over the outdoor work, and at last had to confine myself to the house, or literature must have gone by the board.
Although cover notes for classical music albums tend to say that the trill of flutes suggests mountain streams and so on, I don't think anybody listens to music with the expectation that they're going to be presented with a sort of landscape painting.
When I listen to 'Nevermind,' I hate the production, but there's something about it that almost makes me cry at times.
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