I have much to learn from my daughter Sofia. Her minimalism exposes my limitations: I'm too instinctive and operatic, I put too much heart into my work, I get lost sometimes in bizarre things - it's my Italian heritage.
Francis Ford CoppolaRead
My film is not a movie; it's not about Vietnam. It is Vietnam.
Interpretation
The quote emphasizes that the film transcends mere storytelling and embodies the essence of Vietnam itself.
Francis Ford Coppola's assertion highlights the profound relationship between his film and the reality of Vietnam. He suggests that the film does not merely depict events or narratives about Vietnam, but rather captures and represents the entire experience, emotions, and truths of the Vietnam War, allowing the audience to feel as if they are part of that reality rather than just observers of a fictional story.
In practice
In a film discussion panel to illustrate how cinema can reflect real-life experiences.
I have much to learn from my daughter Sofia. Her minimalism exposes my limitations: I'm too instinctive and operatic, I put too much heart into my work, I get lost sometimes in bizarre things - it's my Italian heritage.
I landed a job with Roger Corman. The job was to write the English dialogue for a Russian science fiction picture. I didn't speak any Russian. He didn't care whether I could understand what they were saying; he wanted me to make up dialogue.
An essential element of any art is risk. If you don't take a risk then how are you going to make something really beautiful, that hasn't been seen before?
I live near San Francisco in the most beautiful spot on earth and enjoy myself in many ways. Yes, I love to work, which for now is to think and read and write, so it's all a dream come true.
The essence of cinema is editing.
It is a little disappointing to see that your legs are not as strong. But I like the idea of growing old, and the thought of approaching death is not particularly daunting to me.
Very quickly a painting is turned into a facsimile of itself when one becomes so familiar with with it that one recognizes it without looking at it.
In art as in lovemaking, heartfelt ineptitude has its appeal and so does heartless skill, but what you want is passionate virtuosity.
I just go into the studio, look at the lyrics for the first time when I put them on the piano, and go. If I haven't got it within 40 minutes, I give up. It's never changed, the thrill has never gone, because I don't know what I'm going to get next.
There must be a story within him/her that wants to come out. That's the reason why 'Dil Chahta Hai,' 'Lagaan,' and 'Rang De Basanti' worked so well: Ashutosh, Farhan, and Rakesh had a story inside them. It's very important that the director should have the fire in the belly to tell the story.
Remember crime against property is not real crime. People look at an oil painting and admire the use of brushstrokes to convey meaning. People look at a graffiti painting and admire the use of a drainpipe to gain access.
My portraits are more about me than they are about the people I photograph.
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