We all live in suspense, from day to day, from hour to hour; in other words, we are the hero of our own story.
Mary MccarthyRead
If one means by style the voice, the irreducible and always recognizable and alive thing, then of course style is really everything.
Interpretation
Style is a vital and distinctive expression of one's voice in art and writing.
Mary McCarthy emphasizes the importance of style as an integral part of creative expression. She suggests that style embodies an artist's or writer's unique voice, which is essential for conveying genuine and recognizable work that resonates with audiences.
In practice
In an art critique, one might say, 'As McCarthy noted, style is everything in conveying an artist's true voice.'
We all live in suspense, from day to day, from hour to hour; in other words, we are the hero of our own story.
The exile is a singular, whereas refugees tend to be thought of in the mass ... What is implied in these nuances of social standing is the respect we pay to choice. The exile appears to have made a decision, while the refugee is the very image of helplessness.
Every word she writes is a lie, including "and" and "the."
Anti-Semitism is a horrible disease from which nobody is immune, and it has a kind of evil fascination that makes an enlightened person draw near the source of infection, supposedly in a scientific spirit, but really to sniff the vapors and dally with the possibility.
To care for the quarrels of the past, to identify oneself passionately with a cause that became, politically speaking, a losing cause with the birth of the modern world, is to experience a kind of straining against reality, a rebellious nonconformity that, again, is rare in America, where children are instructed in the virtues of the system they live under, as though history had achieved a happy ending in American civics.
You mustn't force sex to do the work of love or love to do the work of sex.
The history of architecture is the history of the struggle for light.
So musical a discord, such sweet thunder.
I don't really trust ideas - especially good ones... Rather, I put my trust in the materials that confront me, because they put me in touch with the unknown.
You don't make a photograph just with a camera. You bring to the act of photography all the pictures you have seen, the books you have read, the music you have heard, the people you have loved.
It's hard to be surprised by a film. It's hard to be surprised by another actor or by a director when you've seen enough and been around. So when I am, or when I forget that I'm watching someone's movie, or when I don't know how someone made a certain turn that I didn't expect . . . You know, I'm in.
Practically everybody in New York has half a mind to write a book, and does.
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