No matter how many times you do it, you don't get used to the sadness - for me at least - of coming to the end of a film.
Paul Thomas AndersonRead
But I'd be lying if I didn't say that every time you go to make a film, you're desperate to either do it better than you did it last time or to not repeat yourself.
Interpretation
The quote expresses the desire to constantly improve and innovate in the filmmaking process.
Paul Thomas Anderson's quote reveals the inherent pressure filmmakers face with each new project. The dual desire to surpass previous achievements while avoiding redundancy highlights the creative struggle to maintain originality and excellence in art.
In practice
This quote can be used as an opening remark at a film festival to discuss the evolution of cinema.
No matter how many times you do it, you don't get used to the sadness - for me at least - of coming to the end of a film.
I really subscribe to that old adage that you should never let the audience get ahead of you for a second. So if the film's abrasive and wrongfoots people then, y'know, that's great. But I hope it involves an audience.
My filmmaking education consisted of finding out what filmmakers I liked were watching, then seeing those films. I learned the technical stuff from books and magazines, and with the new technology you can watch entire movies accompanied by audio commentary from the director. You can learn more from John Sturges' audio track on the 'Bad Day at Black Rock' laserdisc than you can in 20 years of film school. Film school is a complete con, because the information is there if you want it.
I always had a dream about trying to make a movie that had no dialogue in it, that was just music and pictures. I still haven't done it yet, but I tried to get close in the beginning.
It's a gamble you take, the risk of alienating an audience. But there's a theory - sometimes it's better to confuse them for five minutes than let them get ahead of you for 10 seconds.
We’re all children of Kubrick, aren’t we? Is there anything you can do that he hasn’t done?
You have to systematically create confusion, it sets creativity free. Everything that is contradictory creates life
We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself.
I love movies, but sometimes I think it's better for actresses not to be total cinephiles. You have to be able to do the work at some point; you can't be totally starstruck. 'I can't believe it's Woody Allen!' You have to get past that.
Only stilted pedants can conceive the idea that there are absolute norms to tell what is beautiful and what is not. They try to derive from the works of the past a code of rules with which, as they fancy, the writers and artists of the future should comply. But the genius does not cooperate with the pundit.
Stories may well be lies, but they are good lies that say true things, and which can sometimes pay the rent.
The Artist is no other than he who unlearns what he has learned, in order to know himself.
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