The poet is one who is able to keep the fresh vision of the child alive.
Anais NinRead
But I lie. I embellish. My words are not deep enough. They disguise, they conceal. I will not rest until I have told of my descent into a sensuality which was as dark, as magnificent, as wild, as my moments of mystic creation have been dazzling, ecstatic, exalted.
Interpretation
The quote reflects the struggle of expressing profound and complex emotions through language.
In this quote, Anais Nin conveys the idea that words often fail to capture the depth of human experience, particularly in relation to sensuality and creativity. She acknowledges her tendency to embellish her narrative, suggesting that true feelings are often concealed behind a veneer of language. This highlights the ongoing quest for authentic expression and the tension between reality and artifice in the pursuit of conveying one's innermost truths.
In practice
This quote can be used in a discussion about the limitations of language in capturing true emotions.
The poet is one who is able to keep the fresh vision of the child alive.
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We have been poisoned by fairy tales.
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I'm leaving the screen because I don't think I am very good in the pictures and I have this beautiful dream that I'm elegant on the stage.
Art cannot change the world, but it can contribute to changing the consciousness and drives of the men and women who could change the world.
In architecture it isn't enough to just have the right building that works well. It can also be beautiful. It can also be different. It can create surprise. And surprise is the main thing in a work of art. [] I like and respect Brasília very much. It is a simple city, a rational one. I always defend the urban design of Brasília
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This is a writer’s lesson: To learn that the sounds that we imagine can be the clearest, loudest sounds of all.
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