The poet is one who is able to keep the fresh vision of the child alive.
Anais NinRead
But I lie. I embellish. My words are not deep enough. They disguise, they conceal. I will not rest until I have told of my descent into a sensuality which was as dark, as magnificent, as wild, as my moments of mystic creation have been dazzling, ecstatic, exalted.
Interpretation
The quote reflects the struggle of expressing profound and complex emotions through language.
In this quote, Anais Nin conveys the idea that words often fail to capture the depth of human experience, particularly in relation to sensuality and creativity. She acknowledges her tendency to embellish her narrative, suggesting that true feelings are often concealed behind a veneer of language. This highlights the ongoing quest for authentic expression and the tension between reality and artifice in the pursuit of conveying one's innermost truths.
In practice
This quote can be used in a discussion about the limitations of language in capturing true emotions.
The poet is one who is able to keep the fresh vision of the child alive.
Anxiety is love's greatest killer, because it is like the stranglehold of the drowning.
We celebrate peace. Yet we pay no attention to the ways of curing aggression in human beings. And when one sees in psychoanalysis hostility disappearing as people conquer their fears, one wonders if the cure is not there.
The impetus to grow and live intensely is so powerful in me I cannot resist it. I will work, I will love my husband, but I will fulfill myself.
We have been poisoned by fairy tales.
I gathered poets around me and we all wrote beautiful erotica. As we were condemned to focus only on sensuality, we had violent explosions of poetry. Writing erotica became a road to sainthood rather than to debauchery.
The laws of the colors are unutterably beautiful, just because they are not accidental.
Capitalism and power politics have made our generation creatively sluggish, and our vital art is mired in a broad bourgeois philistinism.
The writing process for a short story feels more like field geology, where you keep turning the thing over and over, noting its qualities in detail, hammering at it, putting it near flame, pouring different acids on it, and then finally you figure out what it is, or you just give up and mount it on a ring and have an awkward chunky piece of jewelry that seems weirdly dominating but that you for some reason like. I could be wrong about field geology here.
I don't really need to be remembered. I hope the music's remembered.
Political satire is a serious thing. In democratic newspapers throughout the world there are daily cartoons that often are not even funny, as is the case especially in many English-language newspapers. Instead, they contain a political message, and the artist takes full responsibility.
The job of the artist is always to deepen the mystery.
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