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I see my finished platinum print (in the viewfinder) in all its desired qualities, before my exposure.
Edward Weston
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Interpretation

What this quote means

The quote reflects the importance of envisioning the final outcome before starting a creative process.

Edward Weston's quote emphasizes the significance of having a clear vision of the desired result before undertaking a task, particularly in photography and art. By visualizing the finished product, the artist can make informed decisions during the creation process and guide their efforts toward achieving that vision, highlighting the interplay between imagination and execution in the artistic journey.

Themes

VisionPhotographyArtCreativityImagination

In practice

Example use cases

In an art class, to encourage students to visualize their projects: 'As Edward Weston said, you must see your finished work before you start.'

More from Edward Weston

The camera sees more than the eye, so why not make use of it?
Edward WestonRead
The photograph isolates and perpetuates a moment of time: an important and revealing moment, or an unimportant and meaningless one, depending upon the photographer's understanding of his subject and mastery of his process.
Edward WestonRead
Why limit yourself to what your eyes see when you have an opportunity to extend your vision?
Edward WestonRead
Consulting the rules of composition before taking a photograph, is like consulting the laws of gravity before going for a walk.
Edward WestonRead
I start with no preconceived idea - discovery excites me to focus - then rediscovery through the lens - final form of presentation seen on ground glass, the finished print previsioned completely in every detail of texture, movement, proportion, before exposure - the shutter's release automatically and finally fixes my conception, allowing no after manipulation - the ultimate end, the print, is but a duplication of all that I saw and felt through my camera.
Edward WestonRead
People who wouldn't think of taking a sieve to the well to draw water fail to see the folly in taking a camera to make a painting.
Edward WestonRead

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