In cinema, the leading player is the director.
Ben KingsleyRead
The camera does not like acting. The camera is only interested in filming behaviour. So you damn well learn your lines until you know them inside out, while standing on your head!
Interpretation
This quote emphasizes the importance of authenticity and preparation in acting.
Ben Kingsley highlights that while the camera captures performance, it truly reveals genuine behavior. Actors must fully understand their lines and characters to authentically portray them, suggesting that hard work and a deep connection to the material are essential for effective storytelling in film.
In practice
In a drama workshop, a director might use this quote to inspire actors to immerse themselves in their roles.
In cinema, the leading player is the director.
Somewhere in your career, your work changes. It becomes less anal, less careful and more spontaneous, more to do with the information that your soul carries.
When I choose a role it's either because I recognise the man, or that I'm very curious to know him. If I neither recognise nor know him, then it is better that I don't play him.
It is better for me to serve a charity as an actor or a voice, rather than at a luncheon being just a celebrity.
I think that all of us either lose touch with the child inside us or try and hold onto it because it so precious to us and it's such an extraordinary part of our lives.
I do remember, as a child, that I always imagined, when I was maybe 6 or 7, my fantasy was that everywhere I went I was being followed by an invisible film crew.
When I design and wonder what the point is, I think of someone having a bad time in their life. Maybe they are sad and they wake up and put on something I have made and it makes them feel just a bit better. So, in that sense, fashion is a little help in the life of a person. But only a little.
I am performing this role of the artist and this role of the 'negress' coming into a white-box institution. It's kind of a self-appointed role: the self-designated negress.
Any photograph has multiple meanings: indeed, to see something in the form of a photograph is to encounter a potential object of fascination. The ultimate wisdom of the photographic image is to say: “There is the surface. Now think – or rather feel, intuit – what is beyond it, what the reality must be like if it looks this way.’ Photographs, which cannot themselves explain anything, are inexhaustible invitations to deduction, speculation, and fantasy
The poet, like the lover, is a menace on the assembly line.
All good writing is swimming under water and holding your breath.
This making studies and then taking them home to use them is only half right. You get composition, but you lose freshness; you miss the subtle and, to the artist, the finer characteristics of the scene itself.
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