I have discovered in life that there are ways of getting almost anywhere you want to go, if you really want to go.
Langston HughesRead
Certainly there is, for the American Negro artist who can escape the restrictions the more advanced among his own group would put upon him, a great field of unused material ready for his art.
Interpretation
The quote emphasizes the artistic potential of African American artists when freed from societal restrictions.
Langston Hughes highlights the vast and untapped creative opportunities that exist for African American artists. He suggests that true artistic expression can flourish when such artists liberate themselves from the limitations imposed by both their own community and the broader society. This idea champions the importance of individual creativity and the unique perspective that African American artists bring to the cultural landscape.
In practice
This quote can be used during an art exhibition to inspire artists to embrace their unique cultural perspectives.
I have discovered in life that there are ways of getting almost anywhere you want to go, if you really want to go.
My writing has been largely concerned with the depicting of Negro life in America.
I tire so of hearing people say, Let things take their course. Tomorrow is another day. I do not need my freedom when I'm dead. I cannot live on tomorrow's bread.
An artist must be free to choose what he does, certainly, but he must also never be afraid to do what he might choose.
The calm, Cool face of the river, Asked me for a kiss
The only way to get a thing done is to start to do it, then keep on doing it, and finally you'll finish it.
"The work of art must seize upon you...carry you away."
I'm doing one of three things: I'm writing. I'm staring out the window. Or I'm writhing on the floor.
I get unhappy doing things that I'm not passionate about. Because I feel like I'm squandering this incredible gift I've been given to finance films. As soon as my name alone was enough to make this happen, I vowed to myself that I was going to work with directors who were changing cinema, doing something important, you know?
When I write, what I long for is not more realism or fiction but more courage. That's what I always find myself short on and what I have to struggle to achieve in order that the work might live.
There are a couple of strategies for writing about an absence or writing about a loss. One can create the person that was lost, develop the character of the fiancee. There's another strategy that one can employ, maybe riskier... Make the reader suffer the loss of the character in a more literal way.
Even now, nature is the only flame, on which the poetic spirit feeds; from it alone it draws all its power, to it alone it speaks even in the artificial, in the man engaged in culture.
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