Food, one assumes, provides nourishment; but Americans eat it fully aware that small amounts of poison have been added to improve its appearance and delay its putrefaction.
John CageRead
I certainly had no feeling for harmony, and Schoenberg thought that that would make it impossible for me to write music. He said, 'You'll come to a wall you won't be able to get through.' So I said, 'I'll beat my head against that wall.'
Interpretation
The quote reflects a determination to overcome creative obstacles despite lacking traditional skills or understanding.
John Cage expresses his resolve to push through challenges in music composition, even when faced with skepticism about his ability to grasp musical harmony. The metaphor of 'beating his head against a wall' illustrates his willingness to confront difficulties head-on, suggesting that perseverance and a fierce commitment to creativity can lead to breakthroughs, even without conventional knowledge or understanding.
In practice
In a presentation on artistic innovation, you might quote this to inspire others facing creative blocks.
Food, one assumes, provides nourishment; but Americans eat it fully aware that small amounts of poison have been added to improve its appearance and delay its putrefaction.
Which is more musical: a truck passing by a factory or a truck passing by a music school?
There was a German philosopher who is very well known, his name was Immanuel Kant, and he said there are two things that don’t have to mean anything, one is music and the other is laughter. Don’t have to mean anything that is, in order to give us deep pleasure.
I remember loving sound before I ever took a music lesson. And so we make our lives by what we love.
I can't understand why people are frightened of new ideas. I'm frightened of the old ones.
People who aren't artists often feel that artists are inspired. But if you work at your art you don't have time to be inspired.
I'm almost violent about that stuff - electronic manipulation of pictures. I think it's an abomination. I reject it all. I mean, it's OK for selling corn flakes or automobiles or for taking pimples out of Elizabeth Taylor's face, but it undermines the thing that photography is about, which is about observation and not about manipulation of images.
As an illustrator you need to understand the human body - but having looked at and understood nature, you must develop an ability to look away and capture the balance between what you've seen and what you imagine.
Every writer has his writing technique - what he can and can't do to describe something like war or history. I'm not good at writing about those things, but I try because I feel it is necessary to write that kind of thing.
If there is a magic in story writing, and I am convinced that there is, no one has ever been able to reduce it to a recipe that can be passed from one person to another. The formula seems to lie solely in the aching urge of the writer to convey something he feels important to the reader. If the writer has that urge, he may sometimes but by no means always find the way to do it.
And, since the model he faithfully copies is not going to be hung up next to the picture, since the picture is going to be there on its own, it is of no interest whether it is an accurate copy of the model.
Photography is more than a medium for factual communication of ideas. It is a creative art.
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