Lots of times you can feel as an exile in a country that you were born in.
Azar NafisiRead
Do not, under any circumstances, belittle a work of fiction by trying to turn it into a carbon copy of real life; what we search for in fiction is not so much reality but the epiphany of truth.
Interpretation
Fiction should be appreciated for its imaginative qualities rather than forced to mimic reality.
In this quote, Azar Nafisi emphasizes the unique value of fiction as a medium that transcends mere reality. Instead of trying to replicate the real world, fiction serves to illuminate deeper truths and insights about the human experience, allowing readers to explore emotions, ideas, and revelations that might not be accessible through everyday life.
In practice
This quote would resonate well at a book club discussing the importance of imaginative storytelling.
Lots of times you can feel as an exile in a country that you were born in.
After the rigged Iranian presidential elections in 2009, the Islamic regime attacked the 'humanities' as the main source of protests, the most effective tool used by the West, especially America, to corrupt and incite Iranian youth, and finally closed down all the Humanities departments in Iran's universities.
The worst crime committed by totalitarian mind-sets is that they force their citizens, including their victims, to become complicit in their crimes. Dancing with your jailer, participating in your own execution, that is an act of utmost brutality.
I believe that it is only through empathy, that the pain experienced by an Algerian woman, a North Korean dissident, a Rwandan child or an Iraqi prisoner, becomes real to me and not just passing news. And it is at times like this when I ask myself, am I prepared - like Huck Finn - to give up Sunday school heaven for the kind of hell that Huck chose?
I am suddenly left alone again on the sunny path, with a memory of the rain.
It takes courage to die for a cause, but also to live for one.
Beautiful things don't ask for attention.
I love performing outside because it's as if the heavens are open and the elements become part of the stage show as well - you know, the wind and the rain and the thunder. It's almost as if there's a sense of invocation in performance.
The first line is the DNA of the poem; the rest of the poem is constructed out of that first line. A lot of it has to do with tone because tone is the key signature for the poem. The basis of trust for a reader used to be meter and end-rhyme.
'Write' is almost the wrong verb for what I do. I think 'compose' is more accurate because you're trying to make the sounds in your mind and in your voice. So I compose while I'm driving or in the shower.
In my low periods, I wondered what was the point of creating art. For whom? Are we animating God? Are we talking to ourselves? And what was the ultimate goal? To have one's work caged in art's great zoos - the Modern, the Met, the Louvre?
The best books come from someplace inside. You don't write because you want to, but because you have to.
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