Clothes are status signifiers, and no matter how restrained, they always give you subtle symbols of what your values are.
Rick OwensRead
I try to make clothes the way Lou Reed does music, with minimal chord changes. It's about giving everything I make a worn, softened feel. It's about an elegance being tinged with the barbaric, the luxury of not caring.
Interpretation
Rick Owens compares his fashion design to Lou Reed's music, emphasizing simplicity and a raw quality in both.
In this quote, Rick Owens expresses his artistic approach to fashion, aligning it with the music of Lou Reed. He values minimalism and a sense of wear and softness in his designs, suggesting that true elegance can arise from a raw, unpolished edge, reflecting a philosophy that embraces imperfection and a nonchalant attitude towards luxury.
In practice
This quote can inspire fashion designers at a creative workshop on minimalism.
Clothes are status signifiers, and no matter how restrained, they always give you subtle symbols of what your values are.
Working out is modern couture. No outfit is going to make you look or feel as good as having a fit body. Buy less clothing and go to the gym instead.
Anybody that creates anything is just creating new compositions of things that have existed before. We're all creating something, we're all creating our own personal works of art in ourselves.
The coolest thing is when you don’t care about being cool anymore. Indifference is the greatest aphrodisiac - that’s what really sums up style for me.
There is a dark side to the world that we're all familiar with - and you can choose to ignore it and create a sugar-coated, Disney version, or you can acknowledge both the beautiful and the dark.
Fashion can be about escapism but I have always been interested in the aspirational side of it - wanting to present the self you hope eventually to become.
I want my buildings to take root and look as if they've always been there. It isn't about pastiche or adapting what's already there. It's about trying to blend the future and the past.
The good poet welds his theft into a whole of feeling which is unique, utterly different from that from which it was torn; the bad poet throws it into something which has no cohesion.
If you go to a big publishing house, editorial aside, it's completely white.
All writers write about the past, and I try to make it come alive so you can see what happened.
She drinks pints of coffee and writes little observations and ideas for stories with her best fountain pen on the linen-white pages of expensive notebooks. Sometimes, when it's going badly, she wonders if what she believes to be a love of the written word is really just a fetish for stationery.
In words, like weeds, I'll wrap me o'er, Like coarsest clothes against the cold
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