He breathed out the bitter air that makes women doubt everything, and I breathed it in, as I had always done. I expelled my dust, the powder of everything I had destroyed with doubt, and he pulled it into his lungs.
Miranda JulyRead
Long before I started to write in earnest, Lorrie Moore taught me you could have a woman narrator who was funny and complex and even wrongheaded. She opened up a lot of space that me and a million other women rushed into.
Interpretation
The quote acknowledges Lorrie Moore's influence in creating space for complex, humorous female narrators.
Miranda July reflects on the pioneering work of Lorrie Moore in literature, highlighting how her portrayal of female narrators as funny, complex, and sometimes flawed broke new ground for women writers. This opening of space in storytelling allowed July and many others to explore their own voices, thus enriching the literary landscape with diverse female perspectives.
In practice
In a speech about women in literature, one could use this quote to illustrate the importance of representation.
He breathed out the bitter air that makes women doubt everything, and I breathed it in, as I had always done. I expelled my dust, the powder of everything I had destroyed with doubt, and he pulled it into his lungs.
We had loved people we really shouldn't have loved and then married other people in order to forget our impossible loves, or we had once called out hello into the cauldron of the world and then run away before anyone could respond.
Some people need a red carpet rolled out in front of them in order to walk forward into friendship. They can't see the tiny outstretched hands all around them, everywhere, like leaves on trees.
I have female friends who work in all different mediums who I speak to at least once a week. It helps me so much to know that I'm not alone. I think that's the bare minimum you need to sustain yourself - some sort of context of other women making things.
After I had my son I looked everywhere for a book that might serve as some kind of mirror. I bought so many silly books. Now I see what the problem was: I wanted a book about time-about mortality. I can't think of a writer who is at once so experimentally daring and so rigorously uncompromising as Sarah Manguso. Ongoingness is an incredibly elegant, wise book, and I loved it.
I want to see the thirst inside the syllables I want to touch the fire in the sound: I want to feel the darkness of the cry. I want words as rough as virgin rocks.” - Verb.
Often, particularly towards the end of the process, I think of myself less as a theatre director and more as someone who just directs the traffic. My job is to move the ideas and bits of the show into the places where they work best. Sometimes my job is also to say, 'No.'
Everybody was wearing rhinestones, all those sparkly clothes, and cowboy boots. I decided to wear a black shirt and pants and see if I could get by with it. I did and I've worn black clothes ever since.
More and more people are seeing the films on computers - lousy sound, lousy picture - and they think they've seen the film, but they really haven't.
One of the joys of going to the movies was that it was trashy, and we should never lose that.
I can never get over when you're on the beach how beautiful the sand looks and the water washes it away and straightens it up and the trees and the grass all look great. I think having land and not ruining it is the most beautiful art that anybody could ever want to own.
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