The writing of the Beatles, or John and Paul's contribution to the Beatles in the late sixties - had a kind of depth to it, a more mature, more intellectual approach. We were different people, we were older. We knew each other in all kinds of different ways than when we wrote together as teenagers and in our older twenties.
Interpretation
This quote reflects on the maturity and depth that comes with age and experience, particularly in the creative process.
John Lennon describes how the songwriting of the Beatles, particularly during the late sixties, evolved as they grew older and gained more life experience. This evolution led to deeper, more intellectual connections in their music, highlighting the impact of age and personal growth on artistic expression.
In practice
This quote can be used in a speech about the importance of growth in artistic endeavors.
When I get older losing my hair many years from now. Will you still be sending me a Valentine. Birthday greetings, bottle of wine? If I'd been out till quarter to three would you lock the door? Will you still need me, will you still feed me, When I'm sixty-four?
I put things down on sheets of paper and stuff them in my pockets. When I have enough, I have a book.
Guilt for being rich, and guilt thinking that perhaps love and peace isn't enough and you have to go and get shot or something.
I regret profoundly that I was not an American and not born in Greenwich Village. It might be dying, and there might be a lot of dirt in the air you breathe, but this is where it's happening.
I've been baking bread and looking after the baby...Everyone else who has asked me that question over the last few years says. 'But what else have you been doing?' To which I say, 'Are you kidding?' Because bread and babies, as every housewife knows, is a full-time job. After I made the loaves [of bread,] I felt like I had conquered something. But as I watched the bread being eaten, I thought, Well, Jesus, don't I get a gold record or knighted or nothing?
We all been playing those mind games forever, Some kinda druid dudes lifting the veil, Doing the mind guerrilla, Some call it magic the search for the grail. Love is the answer and you know that for sure, Love is a flower you got to let it grow...
No art is any good unless you can feel how it's put together. By and large it's the eye, the hand and if it's any good, you feel the body. Most of the best stuff seems to be a complete gesture, the totality of the artist's body; you can really lean on it.
It is only by drawing often, drawing everything, drawing incessantly, that one fine day you discover to your surprise that you have rendered something in its true character.
It would be beautiful to photograph the winners of everything from Nobel to booby prize, clutching trophy, or money or certificate, solemn or smiling or tear stained or bloody, on the precarious pinnacle of the human landscape.
There are two sighs of relief every night in the life of an opera manager. The first comes when the curtain goes up The second sigh of relief comes when the final curtain goes down without any disaster, and one realizes, gratefully, that the miracle has happened again.
I think the first little jolt I got was reading Gerard Manley Hopkins - I liked other poems... but Hopkins was kind of electric for me - he changed the rules with speech, and the whole intensity of the language was there and so on.
I have one piece of music, since 1997, and I don't see it having lyrics. Where does it go in this world? So I haven't recorded it.
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