The musical scale is a convention which circumscribes the area of potentiality and permits construction within those limits in its own particular symmetry.
Iannis XenakisRead
The collision of hail or rain with hard surfaces, or the song of cicadas in a summer field. These sonic events are made out of thousands of isolated sounds; this multitude of sounds, seen as totality, is a new sonic event.
Interpretation
This quote reflects on how individual sounds come together to create a new auditory experience.
Iannis Xenakis highlights the nature of sound and how individual sonic events, such as hail or cicadas, can combine to form a complex auditory landscape. By recognizing these individual sounds as components of a larger whole, he draws attention to the interconnectedness of sounds and the richness of our auditory experiences, suggesting that art can emerge from the aggregation of seemingly simple or isolated elements.
In practice
In a lecture about the art of sound design, this quote can illustrate how complex auditory experiences are created.
The musical scale is a convention which circumscribes the area of potentiality and permits construction within those limits in its own particular symmetry.
Music is not a language. Any musical piece is akin to a boulder with complex forms, with striations and engraved designs atop and within, which men can decipher in a thousand different ways without ever finding the right answer or the best one.
To make music means to express human intelligence by sonic means. This is intelligence in its broadest sense, which includes not only the peregrinations of pure logic but also the "logic" of emotions and intuition. My musical techniques, although often rigorous in their internal structure, leave many openings through which the most complex and mysterious factors of the intelligence may penetrate.
The listener must be gripped and whether he likes it or not, drawn into the flight path of the sounds without special training being necessary. The sensual shock must be just as forceful as when one hears a clap of thunder or looks into a bottomless abyss
There are very few religious experiences that aren't explained using the vocabulary of light.
A violinist had a violin, a painter his palette. All I had was myself. I was the instrument that I must care for.
Photography begins not in the camera but in the _x000D_ mind and the eye. The real work is one of noticing and appreciating, seeing things clearly and differently, and _x000D_ sharing that vision with others. I have developed my _x000D_ vision and my photographic craft in order to bring _x000D_ the beauty of nature to light in a fresh way that _x000D_ can inspire and nourish people.
I am just getting into Zora Neale Hurston, who is possibly a much better writer than the critics and rivals who tried to erase her from history, resulting in a life in which she worked as a maid and died in a welfare nursing home. She's clever. She does something modern to the sentence.
Imagining [The Wizard of Oz] without Judy Garland is a bit like dancing on wet cement: you can do it, but why would you want to?
This industry should behave like a mother whose child has just run out in front of a car. But instead of clasping the child to them, they start punishing the child. Like you don't dare get a cold. How dare you get a cold! I mean, the executives can get colds and stay home forever and phone it in, but how dare you, the actor, get a cold or a virus. You know, no one feels worse than the one who's sick. I sometimes wish, gee, I wish they had to act a comedy with a temperature and a virus infection.
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