The musical scale is a convention which circumscribes the area of potentiality and permits construction within those limits in its own particular symmetry.
Iannis XenakisRead
The listener must be gripped and whether he likes it or not, drawn into the flight path of the sounds without special training being necessary. The sensual shock must be just as forceful as when one hears a clap of thunder or looks into a bottomless abyss
Interpretation
The listener's attention is captured by powerful sounds that evoke a visceral response, similar to nature's most intense experiences.
Iannis Xenakis emphasizes the profound impact that compelling sounds can have on a listener, suggesting that music should engage the individual deeply, akin to the undeniable force of a thunderclap or the overwhelming sight of an abyss. This quote underscores the idea that art, particularly music, can communicate and elicit emotions without the need for any prior knowledge or training.
In practice
Used in a speech about the importance of evocative art in education.
The musical scale is a convention which circumscribes the area of potentiality and permits construction within those limits in its own particular symmetry.
Music is not a language. Any musical piece is akin to a boulder with complex forms, with striations and engraved designs atop and within, which men can decipher in a thousand different ways without ever finding the right answer or the best one.
To make music means to express human intelligence by sonic means. This is intelligence in its broadest sense, which includes not only the peregrinations of pure logic but also the "logic" of emotions and intuition. My musical techniques, although often rigorous in their internal structure, leave many openings through which the most complex and mysterious factors of the intelligence may penetrate.
The collision of hail or rain with hard surfaces, or the song of cicadas in a summer field. These sonic events are made out of thousands of isolated sounds; this multitude of sounds, seen as totality, is a new sonic event.
Fiction is lies; we're writing about people who never existed and events that never happened when we write fiction, whether its science fiction or fantasy or western mystery stories or so-called literary stories. All those things are essentially untrue. But it has to have a truth at the core of it.
Poetry is the deification of reality.
Now very often events are set up for photographers... The weddings are orchestrated about the photographers taking the picture, because if it hasn't been photographed it doesn't really exist.
Now I think poetry will save nothing from oblivion, but I keep writing about the ordinary because for me it's the home of the extraordinary, the only home.
I feel like my job is to look at the world and to report what I see, to write what I see as honestly and directly as I can. I don't want to cut it or make it easy, but be as direct as I can.
We could in the United States make as great a variety of wines as are made in Europe, not exactly of the same kinds, but doubtless as good.
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